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GIORGIO MORODER & "LA LA LAND IN CONCERT" CON LA FILM SYMPHONY ORCHESTRA ESTE VERANO EN LAS NOCHES DEL BOTÁNICO

Entre el 22 de junio y el 29 de julio tendrá lugar en el Real Jardín Botánico Alfonso XIII madrileño una nueva edición de las Noches del Botánico, que en la presente edición contará con la presencia, entre otros, de Tony Bennett, Roger Hodgson, Rosendo, Bryan Ferry o UB 40, y, como platos fuertes desde el punto de vista cinematográfico, de Giorgio Moroder y de la Film Symphony Orchestra con 'La La Land in concert'.
Enlaces de interés:

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MILAN EDITA EL SCORE DE LORNE BALFE Y HANS ZIMMER PARA "GENIUS"


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EDICIONES EN VINILO DE SCORES ITALIANOS



A la venta en junio.
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FOX MUSIC REEDITA DIGITALMENTE "NINE MONTHS" DE HANS ZIMMER


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EDICIÓN DIGITAL DEL SCORE DE DANNY ELFMAN PARA "THE CIRCLE"


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NOVEDADES DE GDM Y BEAT RECORDS


Información en musicbox-records.com
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CRISTAL EDITA EL SCORE DE PHILIPPE SARDE PARA "RODIN"

Información en musicbox-records.com
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FOX MUSIC REEDITA DIGITALMENTE "A WALK IN THE CLOUDS" DE MAURICE JARRE

Fragmentos en amazon.es
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MARVEL MUSIC EDITA EN FORMATO DIGITAL EL SCORE DE TYLER BATES PARA "GUARDIANS OF THE GALAXY, VOL. 2"

Información en inglés:
BURBANK, CA – April 21, 2017 – Marvel Music/Hollywood Records are releasing the digital versions of Guardians of the Galaxy Vol. 2: Awesome Mix Vol. 2 songs-only album and Guardians of the Galaxy Vol. 2 original score album by composer Tyler Bates (“Guardians of the Galaxy,” “John Wick Chapter 2,” “Watchmen”) today, April 21st. The film opens in U.S. theaters on May 5, 2017.

“Guardians of the Galaxy Vol. 2” is filled with great action, humor and performances, but it is also infused with a new mixed tape and soundtrack, a dynamic that resonated deeply with audiences in the first film as evidenced by the success of the soundtrack album.  The Grammy®-nominated “Guardians of the Galaxy” soundtrack reached No. 1 on the U.S. Billboard 200 chart, becoming the first soundtrack album consisting entirely of previously released songs to top the chart. The album was certified Platinum by the R.I.A.A.

Guardians of the Galaxy Vol. 2: Awesome Mix Vol. 2 is a collection of 14 songs and once again, music plays an important role in the telling of the story.   In an exclusive interv iew for Rolling Stone Magazine, director James Gunn provides commentary for each track on the album.

Director James Gunn explains, “We had Awesome Mix Volume 1 last time, and this time we have Awesome Mix Volume 2. It was so important that it’s actually part of the film’s title this time around. As most people know, Quill’s mom made the first tape for a slightly younger boy, and she made the second tape for a slightly older boy. So, in many ways the songs reflect the story.”

Continuing, he adds, “The songs are a little bit deeper in some ways; a little bit less pop in some ways. Some of the choices are a bit more eclectic; some of the choices are a bit more popular. But we have a real amazing group of songs that, like in the first movie, I wrote into the script. They are a part of the storytelling. Each song is very specific to the scene where it’s placed.”
On the importance of the score in the film, which often gets overlooked in a film heavy with popular songs, James Gunn adds, “The one thing that is underappreciated is how important Tyler Bates’ score is to the first film,” says the director.  “We still use the score from the first movie while shooting this film and it doesn’t get the respect it deserves because it gets so overshadowed by the soundtrack. There’s some beautiful score on that first soundtrack, and I know that the music we’ve written for the second film is even better than what we did for the first film. Tyler Bates has absolutely outdone himself, and we’re giving something very special to people with the music in this film, both the pop songs and the actual score.”

Gunn and composer Tyler Bates worked on the score during pre-production so that they would have some of the major score themes worked out before the shoot began. This allowed Gunn, the actors and the camera crews to work with the music that will end up being used in the final film.

Guardians of the Galaxy Vol. 2:  Awesome Mix Vol. 2 track list follows:

1. “Mr. Blue Sky” - Performed by Electric Light Orchestra
2. “Fox on the Run” - Performed by Sweet
3. “Lake Shore Drive” - Performed by Aliotta Haynes Jeremi ah
4. “The Chain” - Performed by Fleetwood Mac
5. “Bring It on Home to Me” - Performed by Sam Cooke
6. “Southern Nights” - Performed by Glen Campbell
7. “My Sweet Lord” - Performed by George Harrison
8. “Brandy (You're a Fine Girl)” - Performed by Looking Glass
9. “Come a Little Bit Closer” - Performed by Jay and The Americans
10. “Wham Bam Shang-a-Lang” - Performed by Silver
11. “Surrender” - Performed by Cheap Trick
12. “Father and Son” - Performed by Yusef / Cat Stevens
13. “Flash Light” - Performed by Parliament
14. “Guardians Inferno” - Performed by The Sneepers (Featuring - David Hasselhoff)

Executive Soundtrack Producers: James Gunn, Kevin Feige and Dave Jordan

Guardians of the Galaxy Vol. 2:  Awesome Mix Vol. 2 digital album is available HERE and the physical CD is now available for pre-order HERE.   Guardians of the Galaxy Vol. 2 Original Score digital album is available HERE.

About “Guar dians of the Galaxy Vol. 2”
Set to the all-new sonic backdrop of Awesome Mixtape #2, Marvel Studios’ “Guardians of the Galaxy Vol. 2” continues the team’s adventures as they traverse the outer reaches of the cosmos. The Guardians must fight to keep their newfound family together as they unravel the mystery of Peter Quill’s true parentage. Old foes become new allies and fan-favorite characters from the classic comics will come to our heroes’ aid as the Marvel Cinematic Universe continues to expand.

“Guardians of the Galaxy Vol. 2” is written and directed by James Gunn and stars Chris Pratt, Zoe Saldana, Dave Bautista, featuring Vin Diesel as Baby Groot, Bradley Cooper as Rocket, Michael Rooker, Karen Gillan, Pom Klementieff, Elizabeth Debicki, Chris Sullivan, Sean Gunn, Tommy Flan agan, Laura Haddock, with Sylvester Stallone, and Kurt Russell. Kevin Feige is producing, and Louis D’Esposito, Victoria Alonso, Jonathan Schwartz, Nikolas Korda and Stan Lee are the executive producers. Marvel Studios’ “Guardians of the Galaxy Vol. 2” blasts into theaters on May 5, 2017.

About Tyler Bates
An array of artistic influences, from John Coltrane to Chopin, and the rock operas “Hair” and “Jesus Christ Superstar, set the course for Los Angeles-born Bates’ musical signature that often combines disparate components that become indigenous within his compositions for film, television, video games and new media. His ability to create new worlds of atmospheric soundscapes fused with traditional orchestra led to groundbreaking scores for Zack Snyder’s “Dawn of the Dead” and “300” films, and most recently, James Gunn’s “Guardians of the Galaxy” Marvel franchise.

“John Wick 2” and “The Belko Experiment,” both scored by Tyler Bates, exceeded box-office expectations and garnered rave reviews. Bates just completed work on “24 Hours to Live,” starring Ethan Hawke, directed by Brian Smrz. He is currently working on Emilio Estevez’s “The Public,” and James Cox’s “Billionaire Boys Club.” Bates’ next film release is “Atomic Blonde,” starring Charlize Theron, directed by David Leitch.

His current TV projects include the Marvel/Netflix series, “The Punisher,” written and directed by Steve Lightfoot, and Genndy Tartakovsky’s “Samurai Jack,” for Adu lt Swim.

This July 2017, Bates will embark on a world tour with shock-rocker Marilyn Manson, as lead guitarist, to celebrate the release of Manson’s forthcoming album “SAY 10,” which like Marilyn Manson’s “The Pale Emperor,” was co-written and produced by Bates. The duo created the title song “Cupid Carries a Gun,” for WGN’s “Salem,” which Bates also scored, as well as songs for both John Wick films.

About Marvel Entertainment
Marvel Entertainment, LLC, a wholly-owned subsidiary of The Walt Disney Company, is one of the world's most prominent character-based entertainment companies, built on a proven library of more than 8,000 characters featured in a variety of media over seventy years.  Marvel utilizes its character franchises in entertainment, licensing and publishing.  For more information visit marvel.com.  © MARVEL
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EDICIÓN EN CD DE LA GIRA 2016 DE LA FILM SYMPHONY ORCHESTRA

De venta en filmsymphony.es
Fragmentos en amazon.co.uk

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CHRISTIAN AGUILERA EDITA EN MAYO "BERNARD HERRMANN: CUMBRES BORRASCOSAS"

La edición de un libro sobre música de cine en español siempre es una buena noticia, pero mucho más cuando su protagonista es uno de los artistas más importantes del siglo XX: Bernard Herrmann. Christian Aguilera hace un recorrido por la vida y la obra del genio neoyorquino en 'Bernard Herrmann: Cumbres borrascosas', en una edición que publica T&B el próximo mes de mayo, y que cuenta con un prólogo de Roberto Cueto.
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SILVA SCREEN EDITA DIGITALMENTE EL SCORE DE PAUL ENGLISHBY "THE WITNESS FOR THE PROSECUTION"


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VARÈSE EDITA EN CD "BARBARELLA" DE BOB CREWE Y CHARLES FOX

Información en varesesarabande.com
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MONDO EDITA EN VINILO "MONSTER SQUAD" DE BRUCE BROUGHTON


Información en inglés:
MONDO
The Monster Squad - Original Motion Picture Soundtrack 2XLP. Retail exclusive. Featuring New artwork by James Flames. Pressed on 180 Gram Black Vinyl. 1000 only available worldwide.
Mondo is proud to celebrate the 30th Anniversary of Bruce Broughton's score to Fred Dekker directed / Shane Black scripted cult classic, THE MONSTER SQUAD, featuring all new artwork by James Flames. Although not an official Record Store Day release, we have this retail exclusive package available in stores this weekend.

THE MONSTER SQUAD tells the story of six suburban kids who go toe-to-toe with some of the baddest monsters of all time, The Mummy, The Wolfman, The Gillman, and Dracula, who join forces to unleash evil on the world. Only the titular "Monster Squad" (with a little help from Frankenstein's monster) can stop them.

Bruce Broughton's score brings a chilling center to this otherwise kid-friendly endeavor. Bringing to life a story of kids versus universally-beloved monsters in a modern era is no small task, but Broughton captures the adventure and spirit of childhood, crafting an iconic score that bridges the gap between two seemingly disparate genres.

Featuring exclusive artwork by James Flames, and produced by Mike Matessino and Dan Goldwasser. Cut at 45RPM for best possible sound quality, and pressed on 180 Gram Black Vinyl.
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GDM REEDITA "LA CALIFFA" DE ENNIO MORRICONE

Información en musicbox-records.com
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REEDICIÓN DEL SCORE DE CLAUDIO SIMONETTI PARA "OPERA"

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BSX RECORDS EDITA EN FORMATO DIGITAL EL RECOPILATORIO "THE DARK CRYSTAL: THEMES FROM EPIC FANTASY FILMS AND TELEVISION SERIES"

Información en amazon.es
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LA-LA LAND RECORDS EDITA LA MÚSICA DE MARK SNOW EN DOBLE CD PARA "THE X-FILES: THE EVENT SERIES"


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VARÈSE SARABANDE EDITA "THE WINDS OF WAR" DE BOB COBERT


Información en varesesarabande.com
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OMEGA EDITA EL SCORE DE DANIEL WHITE PARA "LE LAC DES MORTS VIVANTS"

Información en musicbox-records.com
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JOHN WILLIAMS DIRIGE A LA ORQUESTA FILARMÓNICA DE ORLANDO EN LA CELEBRACIÓN DEL 40 ANIVERSARIO DE "STAR WARS"


El pasado 13 de abril tuvo lugar en la convención 'Star Wars', que celebraba el 40 aniversario del estreno de 'La Guerra de las Galaxias,' un breve concierto con el protagonismo de John Williams al frente de la Orquesta Filarmónica de Orlando. En el evento, que fue a su vez un homenaje a Carrie Fisher, se interpretaron los temas 'Princess Leia's theme', 'Main title' y 'The Imperial March'.

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LAKESHORE EDITA EN MAYO EL SCORE DE GABRIEL YARED PARA "THE PROMISE"

Reserva en amazon.com
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NOVEDADES DE CINE ITALIANO EN CD Y VINILO




Información en www.beatrecords.it
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SOUNDTRACK FACTORY REEDITA EL SCORE DE MAX STEINER PARA "CASABLANCA"

Compra en amazon.es
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EDICIÓN DIGITAL DEL SCORE DE CHRISTIAN HENSON PARA "TOMMY'S HONOUR"

Fragmentos en amazon.com
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PODCAST ESPECIAL JAMES BERNARD

La productora Hammer y James Bernard forman una de las colaboraciones más notables del séptimo arte, y, en particular, del cine de terror y fantástico. En el programa (esta vez comentado) se hace un recorrido por su breve obra (unos 30 scores), destacando películas como La maldición de Frankenstein, Drácula, El perro de Baskervilles, La diosa de fuego o El poder de la sangre de Drácula.

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FOX MUSIC EDITA DIGITALMENTE EN MAYO EL SCORE DE CHRISTOPHER YOUNG PARA "RAPID FIRE"

Fragmentos del score en amazon.es
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ALAN SILVESTRI RECIBIRÁ EN MAYO EL PREMIO BMI ICON

El próximo 10 de mayo tendrá lugar en Beverly Hills la entrega del BMI Icon Award al compositor neoyorquino Alan Silvestri en reconocimiento a su fructífera y dilatada carrera, tanto en cine como en televisión. En anteriores ocasiones fueron galardonados, entre otros, músicos de la talla de David Newman, Thomas Newman, Jerry Goldsmith, Alan Menken, Danny Elfman, Lalo Schifrin, John Williams, Alexandre Desplat, John Barry y James Newton Howard.
Información extraída de la web bmi.com.
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MILAN RECORDS EDITA EN JUNIO "THE LOVERS" DE MANDY HOFFMAN


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PODCAST LO MEJOR DE ERNEST GOLD (SIN COMENTARIO)

Pasó a la historia del cine por su partitura para 'Èxodo', por la que ganó un premio Oscar. En el programa, de nuevo sin comentario, se hace un breve recorrido por la obra de Ernest Gold, e incluye las siguientes bandas sonoras;
Éxodo (3) – El mundo está loco, loco, loco  (2) – Vencedores o vencidos – El último atardecer – La clave de la cuestión, las fronteras de la piel -– El barco de los locos – Ángeles sin paraíso (2) – La cruz de hierro (2) – La hora final (2) – El secreto de Santa Vittoria (2) – Frenos rotos, coches locos (2).
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MILAN EDITA "MAX RICHTER'S OUT OF THE DARK ROOM"

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MAX RICHTER – ses plus belles musiques de films

Max Richter est l’une des figures marquantes de la musique contemporaine. Au carrefour de nombreux langages artistiques actuels, son travail explore une gamme très large de courants et d’influences. Dans cet univers, la musique de film occupe une place privilégiée et la variété des réalisateurs avec lesquels Richter a travaillé est à l’image de la ductilité de son inspiration. À propos du rôle de la musique dans un film, Richter a écrit : « Je pense que la musique est une sorte de liquide amniotique et que le film vit en lui. Parfois, la musique peut être au premier plan, et jouer un rôle d’appui sans que l’on s’en rende même compte, mais si on l’enlevait on passerait à côté de l’essentiel. »

Découvrez ses plus belles musiques de films à travers les bandes originales de Valse avec BachirElle s’appelait SarahWadjda,DisconnectLe CongrèsMémoires de Jeunesse.
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QUARTET RECORDS EDITA EL SCORE ORIGINAL DE JOHN BARRY Y EL RECHAZADO DE DAVID SHIRE PARA "THE WHITE BUFFALO"

Información en quartetrecords.com
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