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LAKESHORE EDITA EN FORMATO DIGITAL "BRIGSBY BEAR" DE DAVID WINGO

Información en inglés:
Lakeshore Records will release theBRIGSBY BEAR  – Original Motion Picture Soundtrack digitally on July 28, 2017. The album features the original score by David Wingo (LOVING,MUD).
 
“I was beyond thrilled when I found out that Dave [McCary, director] and Kyle [Mooney, co-writer] were interested in talking to me about scoring the film,” said Wingo. “I'm a big fan of all their Good Neighbor stuff and was kind of obsessed with these ‘very special episode’ sketches they did for SNL and was sending them to everyone I knew, and the idea of ever potentially working with them never crossed my mind until I got the call.”
 
BRIGSBY BEAR Adventures is a children's TV show produced for an audience of one, James (Kyle Mooney). When the show abruptly ends, James' life changes forever and he sets out to finish the story himself. 
 
“There was a lot of discussion as to how much the score should have in common with the kitschy 80's kid show music from BRIGSBY BEAR the show,” Wingo explained. “We always kept in mind that the score should for the most part be subjective to James' experience and reflect his mental and emotional state, so it made a lot of sense that with his single-minded obsession with the show as well as the fact that it's basically the only “culture” he was ever exposed to that if the music was to mirror him, then it needed to maybe share something in common with the Brigsby music.”
 
David Wingo got his start composing music for films on David Gordon Green's debut feature GEORGE WASHINGTON, collaborating on the score with Michael Linnen. The movie went on to win numerous awards and was eventually released on DVD by the Criterion Collection. Wingo and Linnen collaborated again on Green's Sundance Award-winning follow-up ALL THE REAL GIRLS and since that time Wingo has worked with Green on a majority of his films. His score for the Jeff Nichols film TAKE SHELTER, which won the Grand Prix prize at the Cannes Film Festival, landed him a Discovery Of The Year Award nomination at the World Soundtrack Awards. In 2013 Wingo scored Nichols’ MUD, which was released to worldwide acclaim and went on to be the breakout indie hit of the year. The last couple of years have been his busiest yet and have included Nichols' studio debut MIDNIGHT SPECIAL as well as his widely acclaimed, Academy Award-nominated feature LOVING. Wingo is currently working on his first television show, providing the score for Bill Hader's new HBO series BARRY. He has also been active with his band Ola Podrida since 2006, releasing three critically-acclaimed albums and placing songs in numerous films and TV series, including multiple episodes of HOW I MET YOUR MOTHER and NURSE JACKIE.
 
“We knew that a lot of the heavy lifting music-wise was going to be in the first 15 minutes when he's still down in the bunker,” Wingo explained. “There's score running throughout much of that section and it was really important to capture the loneliness and melancholy of James' life and to help the audience immediately identify with him even though it hasn't been revealed what is actually going on with him. The ultimate goal was to make the section feel emotionally grounded even though it's not revealing to the audience what this upside-down world is all about.”
 
Sony Pictures Classics presents BRIGSBY BEAR in theaters on July 28, 2017. Lakeshore Records will release the BRIGSBY BEAR – Original Motion Picture Soundtrack through all major digital providers on July 28, 2017.
 
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EDICIÓN DIGITAL DE LA BSO DE "DETROIT" DE JAMES N. HOWARD Y VVAA


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INTRADA REEDITA "ONE LITTLE INDIAN" DE JERRY GOLDSMITH


Información en store.intrada.com
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VARÈSE EDITA EL SCORE DE JEFF BEAL PARA "GYPSY"


Información en varesesarabande.com
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ALBERTO IGLESIAS: PREMIO PLATINO POR "JULIETA"


El compositor Alberto Iglesias suma un premio más a su larga lista de galardones como compositor cinematográfico, en esta ocasión el Premio Platino del cine iberoamericano, en su cuarta edición, por su melancólico score para la película de Pedro Almodóvar 'Julieta'. En el camino se quedaron Chucho Valdés ('Esteban'), Federico Jusid ('Neruda'), Fernando Velázquez ('Un monstruo viene a verme') y Mariano Loiácono ('La luz incidente).
Todos los ganadores en elconfidencial.com y web oficial premiosplatino.com
La gala completa en rtve.es/alacarta

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SONY EDITA EN AGOSTO "THE DARK TOWER" DE TOM HOLKENBORG


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MILAN EDITA EN SEPTIEMBRE EL SCORE DE PETER RAEBURN PARA "WOODSHOCK"


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PODCAST ESPECIAL ALAN SILVESTRI (SIN ROBERT ZEMECKIS)

Nuevo programa dedicado al compositor neoyorquino Alan Silvestri, aunque en esta ocasión sin tener en cuenta su fructífera colaboración con el realizador Robert Zemeckis. En el podcast podréis disfrutar de fragmentos de scores tan notables como Un ratoncito duro de roer, Rápida y mortal, Juez Dredd, El regreso de la momia. El guardaespaldas, Niño rico, Depredador 2 o Abyss.
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LAKESHORE EDITA DIGITALMENTE EL SCORE DE TOMANDANDY PARA "47 METERS DOWN"

Fragmentos del score en amazon.es
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MILAN EDITA "LA VÉRITÉ" DE VVAA

Información en inglés:
On the occasion of the 110th birthday of Henri-Georges Clouzot and the 40th birthday of his death (1907-1977), Milan Music is releasing the original soundtrack of his picture “The Truth”, for the first time on CD! From Jazz to classical, from rock to cha-cha-cha…
The Saint-Germain-des-Prés mood – with Jazzy themes by Jean Bonal and Quartet Club de France – contrasts with the prestigious Conservatoire de Paris and the compositions by Beethoven, Ravel and Stravinsky.
And Yo Tengo Una Muñeca, the unrivalled cha-cha-cha danced by BB lying in her bed on rhythms by Xavier Michell y su Quinteto!

Fragmento en soundcloud.com
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VARÈSE SARABANDE EDITA EN SEPTIEMBRE EN DOS CD "POPEYE" DE HARRY NILSSON

Información en amazon.com
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LAKESHORE E INVADA EDITAN "WIND RIVER" DE NICK CAVE Y WARREN ELLIS

Información en inglés:
 Lakeshore Records and Invada Records are proud to announce the labels will be releasing the WIND RIVER – Original Motion Picture Soundtrack digitally on August 4, 2017. The soundtrack will be released on vinyl and on CD later this year. The album features the original score by Nick Cave & Warren Ellis (HELL OR HIGH WATER, WAR MACHINE).
 
Recently screened at both the Sundance and Cannes film festivals, the film was described as, “a quiet, meditative crime drama, and a wonderfully effective one, aided by haunting music by Warren Ellis and Nick Cave” by The Wrap.  Screen Daily said, “Music, from Nick Cave and Warren Ellis, seems to underline the isolation and alienation of the reservation, to speak of the sadness of a people set apart.”
 
“The soundtrack to the beautiful WIND RIVER was first and foremost the incessant wind or the grieving silence of the snow,” said the composers, Nick Cave & Warren Ellis.  “Amid those elemental forces we made a kind of ghost score where voices whisper and choirs rise up and die away and electronics throb and pulse.”
 
WIND RIVER is a chilling thriller that follows a rookie FBI agent (Elizabeth Olsen) who teams up with a local game tracker with deep community ties and a haunted past (Jeremy Renner) to investigate the murder of a local girl on a remote Native American Reservation in the hopes of solving her mysterious death. Written and directed by Taylor Sheridan, WIND RIVER also stars Gil Birmingham, Jon Bernthal, Julia Jones, Kelsey Asbille, and James Jordan.
 
They added, “It was a huge pleasure to work with Taylor Sheridan as he seemed to have a unique understanding of the power of music, that it could become the second-voice in the film.”
 
The Weinstein Company presents WIND RIVER in theaters on August 4, 2017.  The same day Lakeshore Records, in conjunction with Invada Records will release the WIND RIVER – Original Motion Picture Soundtrack through all major digital providers.  The soundtrack will also released on CD and on vinyl at a later date.   
 
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For more information contact Beth Krakower, The Krakower Group, 310.294.3600, Beth@KrakowerGroup.com, or @KrakowerGroup on Twitter
 
 
ABOUT NICK CAVE & WARREN ELLIS
Nick Cave and Warren Ellis create film and theatre scores that are elegantly minimal, hauntingly beautiful and instantly recognizable as theirs alone. Full of light and shade, creeping dread and inconsolable yearning, these heavily instrumental sound paintings inject aching humanity into ghostly frontier towns, parched desert vistas and post-apocalyptic war zones. Most are built around the duos intertwined piano and violin melodies, with sporadic use of guitar, flute, mandolin, celeste, percussion and other elements. Vocals are rare and sparing. But even without lyrics, they are always lyrical.
 
While Cave and Ellis have played together in the Bad Seeds and related projects since 1995, their shadow career as score composers only blossomed a decade later. The duo created their first suite of cinematic soundscapes for The Proposition (2005), directed by fellow Australian and frequent collaborator John Hillcoat. Scripted by Cave himself, this brutal Outback western starred Guy Pearce, Ray Winstone, Emily Watson and Danny Huston. Bedded in looped violin motifs, these widescreen instrumentals and hushed ballads evoked the parched majesty and sweltering savagery of the storys elemental desert setting.
 
According to Cave, discovering Ellis’ deep archive of violin loops was a revelatory tipping point, laying the foundations for the duos unorthodox composition methods. “It was suddenly an amazing way to write because you didnt have to do things from scratch,” he explains. “Warren would put on a loop that would create this instant atmosphere, and we could go off and work on top of that. To sit at a piano, put chords onto a linear loop and make something out of that is just an easy and very pleasurable way to work.”
 
Cave and Ellis followed The Proposition with a trio of kinetic theatre pieces for the much-feted Icelandic actor-director Gisli Örn Gardarsson: Woyzeck (2006), Metamorphosis (2006) and Faust (2010). Their speedy composing techniques allowed them to take risks on this kind of left-field production, where raw creative energy takes precedence over budget. They also added plaintive tones and drones to two acclaimed documentaries: Geoffrey Smiths The English Surgeon (2007), about an exiled doctors struggle to bring modern neurosurgery to post-Soviet Ukraine, and Matthew Watsons The Girls of Phnom Penh (2009), a compassionate portrait of three sex workers in Cambodia.
 
Meanwhile, Hollywood began to take an interest in the shape of Andrew Dominiks elegiac anti-western The Assassination of Jesse James by the Coward Robert Ford (2007), starring Brad Pitt and Casey Affleck. Because of post-production delays, the score was composed before Cave and Ellis saw a single frame of the finished film, and yet these sepia-tinted sound paintings and retro-rustic ballad proved a perfect fit for Dominiks visually sumptuous psychological study of hero worship and homicidal stalking in the Old West. Cave even played an acting cameo, as a yelping saloon-bar minstrel.
 
Between film scores, the duos freeform working methods increasingly began to bleed into their rock-band day jobs with the Bad Seeds, Dirty Three and especially Grinderman. “Initially with The Proposition we would sit there and make hours and hours of music,” Ellis recalls. “Then that sprawled into the way we started doing the Grinderman stuff. It felt like there was a way to take that stuff into the bands, or form a band based around that approach. The score work always felt like it was asking to go to places that the bands werent.”
 
Cave and Ellis reunited with director John Hillcoat for his sombre adaptation of Cormac McCarthys dystopian novel The Road (2009), starring Viggo Mortensen as a loving father guiding his young son across the ash-strewn ruins of a post-apocalyptic America. Their artfully minimal score combines mournful piano with clanging industrial percussion, heartsick longing and lurking malice. An anthology album of the duos film music to date, White Lunar, was also released in 2009.
 
After contributing to Everardo Valerio Gouts award-winning Mexican crime thriller Days of Grace (2011), Cave and Ellis composed a full score for Amy Bergs true-life documentary West of Memphis (2012), about a notoriously controversial murder case in Arkansas. The duo then changed musical gear for their next John Hillcoat collaboration, the blood-soaked Depression-era bootlegging thriller Lawless (2012), starring Tom Hardy and Jessica Chastain. Cave adapted the screenplay while he and Ellis assembled a wilfully anachronistic selection of bluegrass cover versions, performed with a supergroup ensemble of vocal legends including Willie Nelson, Emmylou Harris and Mark Lanegan.
 
Cave and Ellis’ created a ravishing score for director David Olehoffens Far From Men (2104). The film – a triple prize-winner at the Venice film festival - stars Viggo Mortensen and Reda Kateb. Adapted from a short story by Albert Camus, it is a powerful tale of divided loyalties and colonialist violence during Algerias war of independence. With its mesmeric drones, pointillist piano jabs, weeping strings and nerve-jangling electronics, this is one of the duos most emotive and experimental soundtracks to date, sounding both achingly intimate and cosmically vast.
 
2016 saw Cave and Ellis’ score Hell or High Water directed by David Mackenzie. Nominated for Best Picture in this year’s Oscars, the film follows two brothers who carry out a series of bank robberies to save their family ranch, and stars Jeff Bridges, Chris Pine, and Ben Foster.  During 2016 the duo also scored the National Geographic Channel’s six-part series “Mars” (directed by Everardo Gout).
 
“Very often a tension can happen between music and picture that is about chance and a kind of unknowingness that can be really amazing,” Cave says. “Just by putting together two things that were created in isolation, music and film, suddenly something quite magical can happen.”
 

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NOVEDADES DEL SELLO MADRILEÑO QUARTET RECORDS


Información en quartetrecords.com
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MUSIC BOX EDITA EL SCORE DE OLIVIER CUSSAC PARA "LES AS DE LA JUNGLE"

Información en musicbox-records.com
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SONY MUSIC EDTA EN AGOSTO EL SCORE DE JEFF RUSSO PARA LA TERCERA TEMPORADA DE "FARGO"

Información del contenido en amazon.es
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BACKLOT MUSIC EDITA LA BSO DE "ATOMIC BLONDE" DE TYLER BATES Y VVAA

Reserva en amazon.com
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MOVIESCORE MEDIA EDITA "ANNABELLE HOOPER AND THE GHOSTS OF NANTUCKET" DE DAVID JAMES NIELSEN

Información en moviescoremedia.com
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PODCAST ESPECIAL 20TH CENTURY FOX

Nueve décadas de historia de una de las productoras de Hollywood más emblemáticas: la 20th Century Fox. En el programa podréis escuchar temas de películas como Laura, Desde la terraza, El planeta de los simios, Cleopatra, La aventura del Poseidón, Marte, Depredador o La mosca.
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EDICIÓN DIGITAL DE LA BSO DE LA COMEDIA "GIRLS TRIP" DE DAVID NEWMAN & VVAA


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SONY CLASSICS EDITA EL SCORE DE PATRICK DOYLE PARA "THE EMOJI MOVIE"

Reserva en amazon.es
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REEDICIÓN REMASTERIZADA DE LA GRABACIÓN ORIGINAL DE 1982 DE "E.T." DE JOHN WILLIAMS

El próximo 12 de septiembre saldrá a la venta en Estados Unidos una edición especial 35 aniversario de la legendaria película de Steven Spielberg E.T. El extraterrestre, en esta ocasión incluyendo copia digital, Blu-ray y la versión 4K Ultra HD. Además de una libro específico, los aficionados a la música de cine podremos disfrutar con una nueva remasterización de la banda sonora original de 1982, en principio sin los temas que salieron en posteriores ediciones.

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ALHAMBRA RECORDS EDITA EL SEGUNDO RECOPILATORIO DE ANNETTE FOCKS


Información en alhambra-records.de
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NOMINACIONES A LOS PREMIOS EMMY 2017

Un año más nos encontramos las nominaciones a los premios televisivos made in USA, los EMMYS. En el principal apartado musical, Score Dramático Original, los nominados son Rupert Gregson-Williams, Jeff Beal, Jacob Shea, Jasha Klebe, James N. Howard, Max Richter, Martin Phipps, Ruth Barrett y Natalie Holt. En los demás apartados se encuentran, a su vez, compositores de la talla de Hans Zimmer, Ramin Djawadi o Mac Quayle.
La lista completa la podéis consultar en emmys.com y los nominados en los mencionados apartados musicales son los siguientes:

Outstanding Music Composition for a Series (Original Dramatic Score):

The Crown – Hyde Park Corner – Music by Rupert Gregson-Williams
House of Cards – Chapter 63 – Music by Jeff Beal

Planet Earth II – Islands – Music by Jacob Shea & Jasha Klebe

A Series of Unfortunate Events – A Bad Beginning – Music by James Newton Howard
Taboo – Episode 1 – Music by Max Richter
Victoria – Doll 123 – Music by Martin Phipps, Ruth Barrett & Natalie Holt



Outstanding Music Composition for a Limited Series, Movie or a Special (Original Dramatic Score):

Fargo – Aporia – Music by Jeff Russo
FEUD: Bette and Joan – Pilot –  Music by Mac Quayle

Five Came Back – The Price Of Victory – Music by Jeremy Turner

O.J. Made in America – Part 3 –  Music by Gary Lionelli
Suite Francaise – Music by Rael Jones
The White Helmets – Music by Patrick Jonsson



Original Main Title Theme Music:

FEUD: Bette and Joan – Theme by Mac Quayle
Genius – Theme by Hans Zimmer & Lorne Balfe

The Good Fight – Theme by David Buckley

Stranger Things – Theme by Michael Stein & Kyle Dixon

Victoria – Theme by Martin Phipps
Westworld – Theme by Ramin Djawadi



Original Music and Lyrics:

Crazy Ex-Girlfriend – When Will Josh & Friends Leave Me Alone? / Song Title: Tap That Ass – Music & Lyrics by Adam Schlesinger, Lyrics by Rachel Bloom & Jack Dolgen



Duck The Halls: A Mickey Mouse Christmas Special / Song Title: Jing-A-Ling-A-Ling –  Music & Lyrics by Christopher Willis, Lyrics by Darrick Bachman & Paul Rudish




Jimmy Kimmel Live –Jessica Chastain/Willie Nelson/Hunter Hayes / Song Title: The Ballad of Claus Jorstad (Devil Stool) – Music & Lyrics by Jonathan Kimmel & Barry Greenberg




Saturday Night Live – Host: Casey Affleck / Song Title: Last Christmas – Music by Eli Brueggemann, Lyrics by Chancelor Johnathan Bennett, Kenan Thompson & Will Stephen




13th  – Song Title: Letter to the Free – Music & Lyrics by Robert Glasper & Karriem Riggins




Unbreakable Kimmy Schmidt – Kimmy’s Roommate Lemonades! / Song Title: Hell No – Music by Jeff Richmond, Lyrics by Tina Fey & Sam Means





Oustanding Music Direction: 

American Epic – The American Epic Sessions – Bernard MacMahon, Duke Erikson, Jack White & T Bone Burnett
Joshua Bell: Seasons Of Cuba (Live From Lincoln Center) – David Lai

Stayin’ Alive: A Grammy Salute To The Music Of The Bee Gees – Rickey Minor

Super Bowl LI Halftime Show Starring Lady Gaga – Michael Bearden
Taking The Stage: African American Music And Stories That Changed America – Rickey Minor
Tony Bennett Celebrates 90: The Best Is Yet To Come – Tom Scott



Outstanding Music Supervision:



Better Call Saul – Sunk Costs – Thomas Golubic
Big Little Lies – You Get What You Need – Susan Jacobs

Girls – Tour – Manish Raval, Jonathan Leahy & Tom Wolfe

Master of None – Amarsi Un Po – Zach Cowie & Kerri Drootin
Stranger Things – Nora Felder

 

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MILAN EDITA "AUDREY HEPBURN: A TOUCH OF MUSIC" DE VARIOS ARTISTAS

Información en inglés:
Her legendary interpretation of the song Moon River, accompanying herself with the guitar (Breakfast at Tiffany's) entered the pantheon of film music as well as her duets with Fred Astaire in Funny Face. But Audrey Hepburn's filmography is also intimately linked to the greatest composers of film music: Henry Mancini, George Gershwin, Georges Auric, Nino Rota, Franz Waxman, Heitor Villa-Lobos, Alex North.
From the groovy rhythms of Hot Paprika to the languorous accents of Fascination (Love in the Afternoon), from the romantic melodies of War and Peace to the bewitching sounds of Green Mansions, from the syncopated accents of Roman Holiday to the intimate and dramatic vibrations of The Children’s Hour, a sumptuous musical journey under the grand eyes of a grand actress.
The brilliant cover art of the album comes from a fashion poster designed by French artist René Gruau for BLIZZAND brand.
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PODCAST ESPECIAL GABRIEL YARED

Uno de los compositores más elegantes y carismáticos de las últimas décadas: Gabriel Yared. 60 minutos que son un breve repaso, en el fondo, de su extensa filmografía, en la que destacan scores como Cold Mountain, City of Angels, Mensaje en una botella, El talento de Mr. Ripley, La pasión de Camille Claudel, El paciente inglés, Amelia o la rechazada Troya.
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INTRADA EDITA "GOOD MORNING, VIETNAM" DE ALEX NORTH Y "OPERATION DUMBO DROP" DE DAVID NEWMAN


Información en store.intrada.com
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