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JUSTIN HURWITZ GANA DOS OSCAR POR "LA LA LAND"

Como estaba previsto, Justin Hurwitz fue el vencedor de los Oscars musicales esta pasada madrugada en Los Ángeles por su score y canción ('City of stars') para 'La La Land', en este segundo caso compartido con los letristas Justin Paul y Benj Pasek. En el camino se quedó el que más se lo merecía, desde mi punto de vista: Thomas Newman.
Todos los ganadores los podéis consultar en oscar.go.com/winners
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DANNY ELFMAN SERÁ LA ESTRELLA INVITADA A LA DÉCIMA EDICIÓN DE HOLLYWOOD IN VIENNA


A finales de septiembre, concretamente los días 28 y 29, tendrá lugar en Viena la celebración de dos conciertos cuya estrella principal será el compositor californiano Danny Elfman. Bajo el nombre de 'Cuentos de hadas', el festival alemán Hollywood in Vienna rinde homenaje a uno de los más importantes compositores cinematográficos de todos los tiempos.
A fecha de hoy todavía se desconoce el contenido del programa, aunque es de suponer que la colaboración entre Elfman y el realizador Tim Burton será la protagonista.
Más información en hollywoodinvienna.com
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DRAGON'S DOMAIN EDITA EN MARZO "FAST COMPANY" DE FRED MOLLIN


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ANUNCIADOS LOS GANADORES DE LOS XVI PREMIOS GOLDSPIRIT

Sin duda, los premios más populares de música cinematográfica son los Goldspirit, organizados por nuestra web hermana BSOSpirit (bsospirit.com), que son la muestra de lo que fue musicalmente 2016. El ganador al mejor compositor ha sido, como en los galardones de la Asociación Internacional de Críticos de Música de Cine, Michael Giacchino. Por su parte, el mejor score del año ha recaído, de manera más que merecida, en 'Kubo y las dos cuerdas mágicas' de Dario Marianelli, el gran olvidado en las nominaciones de los Oscars.
La lista de premiados es la siguiente:

MEJOR COMPAÑÍA DISCOGRÁFICA – BEST RECORD LABEL
La-La Land Records
MEJOR EDICIÓN/REEDICIÓN DE UNA BSO DEL PASADO – BEST EDITION OF AN EXISTING SCORE
The John Williams Jurassic Park Collection – John Williams (La-La Land Records)
MEJOR CANCIÓN ORIGINAL – BEST ORIGINAL SONG
“City of Stars” (La La Land)
COMPOSITOR REVELACIÓN – BREAKOUT COMPOSER OF THE YEAR
Laurent Perez del Mar
MEJOR BSO ESPAÑOLA – BEST SPANISH SCORE
Un monstruo viene a verme (Fernando Velázquez)
MEJOR COMPOSITOR ESPAÑOL – BEST SPANISH COMPOSER
Fernando Velázquez
MEJOR BSO EUROPEA – BEST EUROPEAN SCORE
La tortue rouge (Laurent Perez del Mar)
MEJOR COMPOSITOR EUROPEO – BEST EUROPEAN COMPOSER
Alexander Cimini
MEJOR BSO TELEVISIÓN – BEST SCORE TELEVISION
MEJOR BSO VIDEOJUEGO – BEST SCORE VIDEO GAME
Final Fantasy XV (Yoko Shimomura, Tetsuya Shibata)
MEJOR BSO DOCUMENTAL – BEST SCORE DOCUMENTARY
Planet Earth II (Hans Zimmer, Jacob Shea, Jasha Klebe)
MEJOR BSO TERROR – BEST SCORE HORROR
10 Cloverfield Lane (Bear McCreary)
MEJOR BSO DRAMA – BEST SCORE DRAMA
Un monstruo viene a verme (Fernando Velázquez)
MEJOR BSO ACCIÓN/AVENTURA – BEST SCORE ACTION OR ADVENTURE
Doctor Strange (Michael Giacchino)
MEJOR BSO COMEDIA – BEST SCORE COMEDY
La La Land (Justin Hurwitz)
MEJOR BSO ANIMACIÓN – BEST SCORE ANIMATION
Kubo and the Two Strings (Dario Marianelli)
MEJOR BSO FANTASÍA/CIENCIA-FICCIÓN – BEST SCORE FANTASY OR SCI-FI
MEJOR TEMA – BEST CUE
“Relieve Him of His Wand / Newt Releases the Thunderbird / Jacob’s Farewell” (Fantastic Beasts and Where to Find Them)
COMPOSITOR DEL AÑO – COMPOSER OF THE YEAR
Michael Giacchino
MEJOR BSO – BEST ORIGINAL SCORE
Kubo and the Two Strings (Dario Marianelli)
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IBRAHIM MAALOUF OBTIENE EL PREMIO CÉSAR POR "DANS LES FORÊTS DE SIBÉRIE"


Ni Rombi ni Yared ni Dudley, que eran, en principio, los compositores con más posibilidades en la ceremonia, la número 42, de los premios de la Academia gala, los César. El premio a la mejor partitura se lo llevó el músico francolibanés Ibrahim Maalouf por 'Dans les forêts de Sibérie'. También se quedó en el camino el score de Sophie Hunger para la película de animación 'Ma vie de courgette'.
Todos los nominados y vencedores los podéis consultar en academie-cinema.org
Toda la ceremonia en canalplus.fr/cinema/ceremonie

Meilleure Musique Originale

DANS LES FORÊTS DE SIBÉRIE
CHOCOLAT
ELLE
FRANTZ
MA VIE DE COURGETTE
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REPUBLIC EDITA LA BSO DE "COLLIDE" DE VARIOS ARTISTAS


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SOUND TRACK FACTORY EDITA A FINALES DE MARZO "HOW THE WEST WAS WON" (ALFRED NEWMAN) Y "NEVER ON SUNDAY" (MANOS HADJAKIS)



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EDICIÓN DIGITAL DEL SCORE DE EMMANUEL D'ORLANDO PARA "SI J'ÉTAIS UN HOMME"


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GANADORES DE LOS PREMIOS DE LA ASOCIACIÓN INTERNACIONAL DE CRÍTICOS DE MÚSICA DE CINE 2016

Tras las nominaciones anunciadas hace unos días, llegan los ganadores en la edición anual de los Premios de la Asociación Internacional de Críticos de Música de Cine. De manera un tanto sorprendente, han optado como partitura del año por 'Arrival' de Jóhann Jóhannsson y como compositor de 2016 por Michael Giacchino. Para más información haced click aquí.

La lista completa es la siguiente:

COMPLETE LIST OF WINNERS
FILM SCORE OF THE YEAR
• Arrival, music by Jóhann Jóhannsson

COMPOSER OF THE YEAR
• Michael Giacchino

BREAKTHROUGH COMPOSER OF THE YEAR
• Justin Hurwitz

FILM MUSIC COMPOSITION OF THE YEAR
• “Epilogue” from La La Land, music by Justin Hurwitz

BEST ORIGINAL SCORE FOR A DRAMA FILM
• Nocturnal Animals, music by Abel Korzeniowski

BEST ORIGINAL SCORE FOR A COMEDY FILM
• La La Land, music by Justin Hurwitz

BEST ORIGINAL SCORE FOR AN ACTION/ADVENTURE/THRILLER FILM
• Xi You Ji Zhi: Sun Wukong San Da Baigu Jing [The Monkey King 2], music by Christopher Young

BEST ORIGINAL SCORE FOR A FANTASY/SCIENCE FICTION/HORROR FILM
• Fantastic Beasts and Where to Find Them, music by James Newton Howard

BEST ORIGINAL SCORE FOR AN ANIMATED FEATURE
• La Tortue Rouge [The Red Turtle], music by Laurent Perez del Mar

BEST ORIGINAL SCORE FOR A DOCUMENTARY
• Järven Tarina [Tale of a Lake], music by Panu Aaltio

BEST ORIGINAL SCORE FOR A TELEVISION SERIES
• Game of Thrones, music by Ramin Djawadi

BEST ORIGINAL SCORE FOR A VIDEO GAME OR INTERACTIVE MEDIA
• Abzû, music by Austin Wintory

BEST NEW ARCHIVAL RELEASE – RE-RELEASE OR RE-RECORDING OF AN EXISTING SCORE
• The Ten Commandments, music by Elmer Bernstein; album produced by Douglass Fake and Roger Feigelson; liner notes by Frank K. De Wald; album art direction by Joe Sikoryak (Intrada)

BEST NEW ARCHIVAL RELEASE – COMPILATION
• The John Williams Jurassic Park Collection, music by John Williams; album produced by Mike Matessino; liner notes by Mike Matessino; album art direction by Jim Titus (La-La Land)

FILM MUSIC RECORD LABEL OF THE YEAR
• Intrada Records, Douglass Fake, Roger Feigelson
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CRISTAL RECORDS EDITA EL SCORE DE NICOLAS KUHN PARA "UNE VIE AILLEURS"

Información en musicbox-records.com
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DRAGON'S DOMAIN EDITA EN MARZO LA MÚSICA DE HARRY MANFREDINI PARA "TIMEMASTER"


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EDICIÓN EN MARZO DEL SCORE DE MARCO BELTRAMI PARA "LOGAN"


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BACK LOT MUSIC EDITA EN FORMATO DIGITAL "GET OUT" DE MICHAEL ABELS

Información en inglés:
Back Lot Music will release the GET OUT – Original Motion Picture Soundtrack digitally on February 24, 2017, it was announced today.  Best known for combining classical music with African-American jazz, blues, bluegrass and ethnic genres, Michael Abels was asked by writer/director/producer Jordan Peele to compose the music for the thriller. 
 
“Jordan gave me very clear direction for this score,” said Abels.  “He said that above all, it needed to be ‘seriously scary.’  That's hard to misinterpret!”  Peele had reached out to Abels after watching a YouTube video of Urban Legends, one of Abels’ classical compositions.  “He said it needed to have some distinctly African-American elements without relying on stereotypes, quite literally wanting African-American voices to be heard.  The story was always to be told from the point-of-view of Chris, the main character, and the African-American voices we hear would represent the souls of slaves or other black victims of oppression, speaking to Chris from spirit world.”
 
Abels opted for using lyrics in Swahili for the voices.  “Unintelligible lyrics are always scary, so I knew the voices should not be singing in English,” Abels explained.  “I wrote some phrases these souls might say, and then read the Swahili translations aloud to see what music occurred to me.  Out of that process I wrote a couple demos, and Jordan chose one of them, “Minor Trouble,” to be the Main Title for the film.  The translation, allowing for some poetic license, is: ‘Brother — listen to the elders.  Run!  Brother — listen to the truth.  Run, run far away!  Save yourself.’”
 
These lyrics were blended with more traditional instrumentation.  “Jordan was very intent on using natural, acoustic instruments and textures over electric, synthetic ones,” Abels described.  “That’s a smart choice for a film that is really about human relations.  Besides the predominantly black choir, the score features a string orchestra, harp and tuned metal percussion. What electronic instruments there are have a naturalistic flavor, rather than a cold, mechanical one.”
 
Michael Abels is an African-American composer known for his orchestra works Global Warming,Delights & Dances and Urban Legend, as well as choral pieces such as Be The Change and Limitless.  With a “keen ear for musical color and a deft ability to adapt structural elements from popular music into the symphonic idiom” (Houston Chronicle), Abels has gained widespread recognition for his orchestral music.                              
 
Born in Phoenix, AZ, Abels attended the University of Southern California, studying with James Hopkins and Robert Linn.  Later, he studied West African music with Alfred Ladzekpo at the California Institute for the Arts.  He currently serves as Director of Music for New Roads School in Santa Monica.  Abels is a past recipient of grants and commissions from the National Endowment for the Arts, Meet The Composer, L.A. Opera, and many orchestras throughout the country.  In his concert career he has worked with James Earl Jones, Doc Severinsen, and a diverse group of other musical artists.  Abels also wrote the score for Fantasea at Chicago’s Shedd Aquarium.
 
In Universal Pictures’ GET OUT, a speculative thriller from Blumhouse (producers of The Visit,Insidious series and The Gift) and the mind of Jordan Peele, when a young African-American man visits his white girlfriend’s family estate, he becomes ensnared in a more sinister real reason for the invitation.
 
Now that Chris (Daniel Kaluuya, Sicario) and his girlfriend, Rose (Allison Williams, Girls), have reached the meet-the- parents milestone of dating, she invites him for a weekend getaway upstate with Missy (Catherine Keener, Captain Phillips) and Dean (Bradley Whitford, The Cabin in the Woods).
 
At first, Chris reads the family’s overly accommodating behavior as nervous attempts to deal with their daughter’s interracial relationship, but as the weekend progresses, a series of increasingly disturbing discoveries lead him to a truth that he could have never imagined.
 
Equal parts gripping thriller and provocative commentary, Get Out is written and directed by Peele (Key and Peele) and produced by Blumhouse’s Jason Blum, as well as Sean McKittrick (Donnie DarkoBad Words), Edward H. Hamm Jr. (Bad Words) and Peele. The film also stars Caleb Landry Jones (X-Men series), Stephen Root (No Country for Old Men), Milton “Lil Rel” Howery (The Carmichael Show), Betty Gabriel (The Purge: Election Year), Marcus Henderson (Pete’s Dragon) and Lakeith Stanfield (Straight Outta Compton).
 
GET OUT will be in theaters nationwide on February 24, 2017.  The same day, Back Lot Music will release the GET OUT - Original Motional Picture Soundtrack digitally through all major providers.
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IM GLOBAL EDITA DIGITALMENTE LA MÚSICA DE ILAN ESHKERI PARA "COLLIDE"


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LAKESHORE EDITA DIGITALMENTE "IN DUBIOUS BATTLE" DE VOLKER BERTELMANN

Información en inglés:
ABOUT ‘IN DUBIOUS BATTLE’
Set in California apple country in the 1930s, nine hundred migratory workers rise up and join forces to protest unfair wages and working conditions. As the labor strike wears on and conflict grows between the apple pickers and the local growers' association, what begins as a fight for their rights turns into an all-out battle for survival in this star-studded re-telling of John Steinbeck's beloved novel.
 
In select theaters, On Demand and Digital HD on February 17, 2017.
 
ABOUT HAUSCHKA
Hauschka is a composer, songwriter and experimental musician who uses prepared piano as his primary instrument. The prepared piano refers to the technique of resting pieces of paper, marbles, drumsticks and other objects on the strings to produce odd, sometimes randomly generated sounds that move the instrument in unexpected directions. His albums of prepared piano music include The Prepared Piano, a solo record of spontaneous improvisations; Ferndorf, featuring arrangements for cello, trombone, violin and piano; Salon des Amateurs, with drummers Samuli Kosminen (múm), and Joey Burns and John Convertino (Calexico); Silfra, an improvised collaboration with classical violinist Hilary Hahn and Abandoned City
 
His recent project includes scoring the feature film Lion.  His original music for the film has been nominated for an Academy Award®, a Golden Globe, and Critics Choice Award.
 
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LAKESHORE EDITA EN FORMATO DIGITAL EL SCORE DE ROLFE KENT PARA "ROCK DOG"

Información en inglés:
Lakeshore Records will release the ROCK DOGOriginal Motion Picture Soundtrack digitally on February 24, 2017. The album contains original music by Rolfe Kent (MR. POPPER’S PENGUINS, UP IN THE AIR, SIDEWAYS) and original songs “Bodi Finds The Fire” by Adam Friedman & Rolfe Kent and “Glorious” by Adam Friedman.
 
“The story needed to have that sense of the exotic- that we had left Western society and gone somewhere different, somewhere mountainous, but not country specific,” stated Kent.  “To that end I explored different instruments and sounds. You know, the music needed to have that interesting ethnographic colour, but still sound like a movie score.”
 
For the Tibetan Mastiffs living on Snow Mountain, a dog’s life has a simple riff: Guard a peaceful village of wool-making sheep from the thuggish wolf Linnux (Lewis Black) and his rabid pack. To avoid distractions, Mastiff leader Khampa (J.K. Simmons) forbids all music from the mountain. But when Khampa’s son Bodi (Luke Wilson) discovers a radio dropped by a passing airplane, it takes just a few guitar licks for his fate to be sealed: Bodi wants to be a rock ‘n’ roll star. Yet that means defying his father’s wishes, heading to the city, and locating the legendary – and reclusive – musician Angus Scattergood (Eddie Izzard), who needs to write a new song and fast.
 
If Bodi can put a band together, help Angus with his song, and defeat the wolves’ plot to take Snow Mountain, his life will be in tune. Bodi will become what he’s always dreamed of being: More than a dog … more than a Rock God… he’ll be a ROCK DOG!  ROCK DOG is a fun adventure with great music, in theaters February 24th!
 
Summit Premiere presents, a Huayi Brothers Media Corp. and Mandoo Pictures production, in association with Huayi Tencent Entertainment Company, Eracme Entertainment, and Dream Factory Group.
 
Bodi has his own theme which we first hear as we follow him walking through the mountain village,” said Kent.  “He plays a Dramyen in the film.  I listened to that and also went through collections of Tibetan and Mongolian flutes and horns and drums. Mongolian music has lots of very usable elements that work well for a western ear.  I wove some great wooden flutes into the fabric of the music, and some Asian cymbals and drums, and we had some fascinating days recording all these incredible players live.”
 
Kent incorporated these ethnic sounds with symphonic instruments.  He explained, “I always loved the sound of Yo-Yo Ma’s sliding cello in CROUCHING TIGER HIDDEN DRAGON, and for Bodi’s father, Khampa, who is a Kung Fu master after all, I used solo cello in a similar style, with the softly sad glissandos of the cello revealing his gentler side, and how he misses his son. This theme keeps coming back each time we revisit Khampa.”
 
The wolves needed a sound of their own.  “I enjoyed creating the wolves’ musical elements, some sinister (inspired by brass harmonies in Prokoviev’s Peter and the Wolf), and some slightly 70’s grooviness, as they drive around in their 70’s gangster cars. The wolves really bring some twisted spice to the story, and their recurring musical elements were always fun to work on,” Kent described.
 
Unexpected texture, sounds and a signature musical personality are the hallmarks of British film composer Rolfe Kent, who has scored more than 50 films, including Academy Award® nominated Up in the Air (for which he won a Golden Satellite award), Sideways (for which he was nominated for a Golden Globe and Critics Choice Award in 2007), Labor Day, Bad Words (Jason Bateman’s directorial debut), Dom Hemingway, About Schmidt, Election, Mean Girls, Legally Blonde and Legally Blonde II, Wedding Crashers, The Matador, Reign Over Me, The Hunting Party, and Thank You for Smoking. Kent also composed the Emmy®-nominated main title theme for the Showtime hit, Dexter.  In 2012, he received the Richard Kirk award for career achievement.
 
In the confines of his musically busy studio, one can immediately see why his musical personality is as distinct and his own.  Constantly on the go, adventurous and curious, Kent has developed a style that is not only distinct, but indicative of his aversion to the-anticipated-score in tone, texture and rhythm.  The walls are lined with many familiar and many more unfamiliar instruments, gingerly handled and gleefully demonstrated for their sonic qualities.  Among his collection are the Indonesian percussion instrument the angklung, the shawm (first used in military maneuvers as a psychological weapon), the melodica, used for the light, soothing effect in Kent’s jazz-infused score for his Golden Globe-nominated Sideways, and an instrument he discovered and cannot name that sounds like the world’s beaches at their most romantic high tide... combined. 
 
Kent has the distinction of attracting and sustaining relationships with directors as popular and diverse as Alexander Payne, Mark Waters, Jason Reitman, Burr Steers, and Richard Shepard.
 
Summit Premiere presents ROCK DOG in theaters on February 24, 2017.  Lakeshore Records will release the ROCK DOG – Original Motion Picture Soundtrack digitally on February 24, 2017.
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SONY MUSIC EDITA EN MARZO "THE CHAMBER" DE JAMES DEAN BRADFIELD

Reserva en amazon.es
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ROVEN RECORDS EDITA "FILMHARMONIC BRASS PLAYS JOHN WILLIAMS"

Fragmentos en amazon.com
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LA LA LAND EDITA "STAR TREK VOYAGER COLLECTION" DE JAY CHATTAWAY, DENNIS McCARTHY, DAVID BELL & PAUL BAILLARGEON

Información aquí
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SONY MASTERWORKS EDTA "CHACUN SA VIE" DE FRANCIS LAI, DIMITRI NAIDITCH & LAURENT COUSSON

Información en musicbox-records.com
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INTRADA EDITA EL SCORE DE KENYON HOPKINS PARA "THE HUSTLER"


Información en store.intrada.com
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NUEVAS EDICIONES LIMITADAS DEL SELLO VARÈSE SARABANDE


Información en varesesarabande.com
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UNIVERSAL MUSIC EDITA EN ABRIL "LE JAZZ MAGNIFIQUE" DE VARIOS AUTORES

Reserva en amazon.co.uk
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MOVIESCORE MEDIA EDITA EL SCORE DE CHRISTOPHER WONG PARA "SWORD OF THE ASSASSIN"

Información en moviescoremedia.com
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CRAMMED EDITA EN MAYO "AROUND FELICITÉ" DE VARIOS ARTISTAS

Reserva en amazon.com
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BIG MACHINE EDITA EN JUNIO EN VINILO EL VOLUMEN 1 DE LA QUINTA TEMPORADA DE "NASHVILLE"

Reserva en amazon.com. La edición en CD saldrá a la venta en marzo.
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PODCAST ESPECIAL OSCAR: 1977-84

Programa centrado en los Oscars que van desde 1977 hasta 1984, con scores como La guerra de las galaxias, Fama, Elegidos para la gloria, El expreso de medianoche, ET o Pasaje a la India.

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AMAZON EDITA EN FORMATO DIGITAL LA MÚSICA DE MICHAEL DORMAN PARA LA SERIE "PATRIOT"

Fragmentos en amazon.com
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PODCAST ESPECIAL OSCAR: 1985-93

En este nuevo programa dedicado a los Oscars musicales, desde 1985 a 1993, destacan partituras hoy ya clásicas como La Bella y la Bestia, Memorias de África, La lista de Schindler, Bailando con lobos o El último emperador.

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NOVEDADES DE MUSIC ON VINYL




Información en musiconvinyl.com
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KRITZERLAND EDITA "MONSTER FROM GREEN HELL" DE ALBERT GLASSER

Información en kritzerland.com
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FERVENT RECORDS EDITA "PRICELESS" DE FOR KING & COUNTRY


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EDICIÓN DIGITAL PROMO DEL SCORE DE TODD HABERMAN PARA "THE CHARNEL HOUSE"

Fragmentos del score en amazon.es
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LAKESHORE EDITA DIGITALMENTE LA MÚSICA DE GARY LIONELLI PARA EL DOCUMENTAL "O.J.: MADE IN AMERICA"


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DEATH WALTZ EDITA EN VINILO "CONTRABAND" DE FABIO FRIZZI

Información en inglés:
DEATH WALTZ
Contraband - Original Motion Picture Score LP. Original Score by Fabio Frizzi. Artwork by Graham Humphreys Layout by Jay Shaw. Pressed on 180 Gram Brown vinyl with three different red splatters (Limited to 500 Copies). $25
Fabio Frizzi’s score to the 1980 Lucio Fulci thriller Contraband is surely one on the Maestro’s funkiest excursions record for Lucio Fulco. The main theme is a wonderful melody that is reprised throughout the score with a suitable touch of melodrama. Frizzi’s talent for catchy tunes is always apparent, whether it includes the stereotypical wah-wah pedal effects or some grooving slap bass.

Kept modern by mixing traditional orchestral elements with electric guitar and a wailing sax, there’s always a degree of underlying tension, mainly coming from the brass section, and there’s some amazing moments featuring a big organ and a sleazy keyboard riff. This is even before the uber-catchy ‘You Are Not The Same’, one of Frizzi’s many contributions to the songs of moviedom. Another excellent Frizzi/Fulci-fest!
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LAKESHORE EDITA EN MARZO LA MÚSICA DE LA SERIE "LEGION" DE JEFF RUSSO

Información en inglés:

Lakeshore Records will release two volumes of theLEGION - Original Television Soundtrack digitally on February 24th, on CD March 24th, and on vinyl shortly thereafter. The album contains original music by Jeff Russo (Fargo, The Night Of).  Legion, the critically acclaimed drama from creator/executive producer Noah Hawley, airs Wednesdays at 10pm ET/PT on FX.
 
“When I first started working on LEGIONthe showrunner Noah Hawley gave me some great feedback regarding the tonal palate, he suggested I read neurologist Oliver Sacks Hallucinations,” said Russo. “It was a fascinating read and it really did help inspire. It is all about the way that our mind can change our perception of reality and what that says about our brains. It was something that directed me right to where this amazing show was going.”
 
LEGION, based on the Marvel Comics by Chris Claremont and Bill Sienkiewicz, is the story of David Haller (Dan Stevens) – a troubled young man who may be more than human. Diagnosed as schizophrenic as a child, David has been in and out of psychiatric hospitals for years. Now in his early 30s and institutionalized once again, David loses himself in the rhythm of the structured regimen of life in the hospital: breakfast, lunch, dinner, therapy, medications, sleep. David spends the rest of his time in companionable silence alongside his chatterbox friend Lenny (Aubrey Plaza), a fellow patient whose life-long drug and alcohol addiction has done nothing to quell her boundless optimism that her luck is about to change. The pleasant numbness of David’s routine is completely upended with the arrival of a beautiful and troubled new patient named Syd (Rachel Keller). Inexplicably drawn to one another, David and Syd share a startling encounter, after which he must confront the shocking possibility that the voices he hears and the visions he sees are the result of him being a mutant.
 
A haunted man, David escapes from the hospital and seeks shelter with his sister Amy (Katie Aselton). But Amy’s concern for her brother is trumped by her desire to protect the picture perfect suburban life she’s built for herself. Eventually, Syd guides David to Melanie Bird (Jean Smart), a nurturing but demanding therapist with a sharp mind and unconventional methods. She and her team of specialists – Ptonomy (Jeremie Harris), Kerry (Amber Midthunder) and Cary (Bill Irwin) – open David’s eyes to an extraordinary new world of possibilities.
 
“I used many esoteric synths from the 70s including something called a ‘synthi,’ described Russo of his approach to the score. “That along with a traditional cinematic orchestral sound makes up most of the sound of the score. I also used a lot of bowing metals...springs, and different kinds of metal percussion.”
 
EMMY® and Grammy®-nominated musician, Jeff Russo has become a prominent composer, songwriter and arranger in the film and television industry. Russo received two Emmy nominations for his memorable music on FX’s Emmy and Golden Globe-winning series, Fargo. He is currently scoring the third season of the show, as well as Starz’s hit drama Power. Russo’s music was recently heard on HBO’s hit Golden Globe-nominated miniseries The Night OfRusso is slated to score two feature films: Jon Avnet’s Three Christsand Craig Macneill’s Lizzie, as well as Netflix’s newest original series Altered Carbon.  
 
In addition to composing music for film and television, Russo still plays music with his rock band.  He is a founding member, lead guitarist and co-songwriter of two-time GRAMMY-nominated, multi-platinum selling rock band, Tonic.  Their debut album, "Lemon Parade," posted three singles in the U.S. Mainstream rock charts' Top 10, with “If You Could Only See," rocketing to number one.  In 2003, the band received two GRAMMY nominations, one for "Best Rock Performance by a Duo or Group with Vocal" for "Take Me As I Am," and one for "Best Rock Album."
 
LEGION is produced by FX Productions and Marvel Television.  Lakeshore Records will release the LEGION -- Original Television Soundtrack digitally on February 24th, on CD March 24th, and on vinyl shortly thereafter.
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SONY CLASSICAL EDITA EN MARZO "THE SPIELBERG/WILLIAMS COLLABORATION. PART III"

Información en amazon.com
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SOUNDTRACK FACTORY EDITA EN VINILO "LOS 7 MAGNÍFICOS" DE ELMER BERNSTEIN

Reserva en amazon.es

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