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MOVIESCORE MEDIA EDITA EL SCORE DE MIKKEL MALTHA PARA "THE JOURNEY"

Información en moviescoremedia.com
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MILAN RECORDS EDITA EL SCORE DE LORNE BALFE Y HANS ZIMMER PARA LA SERIE "GENIUS."


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WAXWORK RECORDS EDITA EN VINILO "EVIL DEAD 2" DE JOSEPH LODUCA


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MILAN RECORDS EDITA EN JULIO LA MÚSICA DE BRIAN REITZELL PARA LA SERIE "AMERICAN GODS"


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MILAN EDITA EN JUNIO LA BSO DE "MARIE-FRANCINE" DE VARIOS ARTISTAS

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VARÈSE EDITA EN JULIO "JOHN WILLIAMS: THEMES AND TRANSCRIPTIONS FOR PIANO"

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LAKESHORE EDITA DIGITALMENTE EL SCORE DE MARK ISHAM PARA "A FAMILY MAN"

Información en inglés:
ABOUT A FAMILY MAN
Dane Jensen (Gerard Butler) is a hard-driven Chicago-based headhunter, working at a cut-throat job placement firm. When Dane’s boss (Willem Dafoe) announces his retirement, he pits Dane against Lynn Vogel (Alison Brie), Dane’s equally driven, but polar opposite rival at the firm, in a battle for control of the company. As Dane gears up for the professional battle of his life, he learns his 10-year-old son, Ryan (Max Jenkins), is diagnosed with cancer. Suddenly, Dane is pulled between achieving his professional dream and spending time with his wife (Gretchen Mol) and Ryan, who need him now more than ever. 
 
ABOUT MARK ISHAM
Mark Isham is an electronic music innovator, jazz artist and prolific film composer.  He traverses the musical landscape with unique performances and imaginative scores. As a musician, his trumpet sound is described as cool, avant-garde, sexy, haunting – even achingly beautiful. He has performed worldwide, and collaborated with celebrated artists in multiple genres. Mark Isham’s ability to create unforgettable melodies combined with his willingness to experiment with innovative musical palettes have earned him accolades including: Grammy and Emmy awards, and Oscar and Golden Globe nominations.
 
Isham’s inimitable musical voice is evident in his memorable scores for award-winning features including the Oscar-winning Crash and A River Runs Through It, along with Golden Globe winning BOBBY, and THE Black Dahlia. For The Black Dahlia, Isham was awarded “Best Score” by the International Film Music Critics Association.
 
Originally from New York City, Mark Isham was exposed to all types of music through his parents who were musicians. The young Isham studied piano and violin, but the trumpet captured his imagination and became his signature instrument.  The Ishams moved from NYC to San Francisco, and by the age 15 Mark Isham was playing in jazz clubs, simultaneously performing with Oakland and San Francisco symphonies. He ultimately formed his own band Group 87.
 
It was an accidental series of events that brought Isham into the world of film music.  Already an established performer and recording artist, he began to experiment with electronic music. In 1983, Isham released his solo debut album Vapor Drawings. He circulated a demo intended for ECM Records, but fortuitously caught the attention of film director Carroll Ballard.  Ballard was searching for a new sound for a project and was impressed by Isham’s unique music and hired him to compose the score for Disney’s critically acclaimed film Never Cry Wolf.
 
While developing as a film composer, Mark Isham continued to prosper and gain notoriety for his work in electronic and new age. He won a Grammy for his Virgin Records release, Mark Isham and Grammy nominations for his albums Castalia and Tibet.  Although honored in the electronic and new age genres, Isham is perhaps most celebrated for his contributions to jazz. He has collaborated and performed with jazz legends including Chick Corea, Herbie Hancock and Bobby McFerrin. Mark Isham’s jazz releases have received critical-acclaim:  Blue Sun was included in Downbeat’s “Top 100 Jazz Albums of the Decade;” and The London Times named Miles Remembered: The Silent Way Project “Best Jazz Album.″
 
The sought-after composer continues to demonstrate his diverse musical voice in over one-hundred film and TV scores including Eight BelowThe CoolerBladeNellThe Secret Life of Bees, in addition to A River Runs Through It and Men of Honor both resulting in Grammy nominations. Other credits include Warrior, Dolphin Tale, Point Break and the Jackie Robinson biopic 42. Isham’s suite from the film 42 was premiered by the New York Philharmonic during the MLB Sandy Relief Concert in Central Park and played at Dodger stadium on “Jackie Robinson Day.” Currently, in addition to scoring his sixth season of ABC’s hit series Once Upon a Time, he also scores Oscar-winner John Ridley’s ABC’s drama American Crime. Directors constantly return to Isham on new projects.  The composer reunites with director Gavin O’Connor for the upcoming film The Accountant starring Ben Affleck and Anna Kendrick and with director Scott Hicks’ on the upcoming feature Fallen. Isham is also working with first time director, animation veteran Christopher Jenkins (The Lion King, Aladdin) on the upcoming animated film Duck Duck Goose.
 
Mark Isham’s collective contributions to the film music community was recognized by his peers when he was awarded the highest honor for a composer by The American Society of Composers, Authors, and Publishers (ASCAP), the prestigious Henry Mancini Career Achievement Award for musical excellence. He continues to display a boundless ability to electrify listeners with his talent for crafting evocative new musical works in varying genres and mediums.
 
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RHINO RECORDS EDITA EN SEPTIEMBRE EL SCORE DE ANGELO BADALAMENTI PARA "TWIN PEAKS (2017)"


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VARÈSE EDITA EN JUNIO LA BSO DE "THE HOUSE" DE VARIOS ARTISTAS, ANDREW FELTENSTEIN & JOHN NAU


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VARÈSE EDITA A FINALES DE JUNIO LA 5ª TEMPORADA DE LA SERIE "HOUSE OF CARDS" DE JEFF BEAL


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REEDICIONES EN VINILO DEL SELLO SOUNDTRACK FACTORY (MES DE JUNIO)





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NOVEDADES DEL SELLO VARÈSE SARABANDE






Más información en musicbox-records.com & varesesarabande.com
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LAKESHORE EDITA DIGITALMENTE "FRANK VS. GOD" DE JONATHAN BEARD

Información en inglés:
 Lakeshore Records will release Frank Vs. God – Official Motion Picture Soundtrack digitally on June 2, 2017. The album features original score by Jonathan Beard (The Passion Of Anne Frank).
 
Frank vs. God is tonally complicated: on the one hand a smart and snappy courtroom comedy, and on the other a poignant drama about our relationship to faith, loss, and the world around us,” described Beard.
 
In FRANK VS. GODDavid Frank (Henry Ian Cusick) thinks he’s lost everything. Unable to move past the grief of losing his wife, this former lawyer has all but given up. That is, until a tornado not only destroys his house, but takes from him the last real connection to the world, his beloved dog Brutus. When the insurance company deems the loss an “act of God,” David is desperate, and is convinced someone has to pay. He decides to serve God... with a lawsuit.
 
David’s provocative and clever legal antics turn the courtroom into a riveting spectacle as he cross-examines representatives of the world’s religions. But when he meets his match—charming and intelligent defense lawyer Rachel (Ever Carradine)—sparks fly and his assumptions are challenged. David’s act of desperation just might be his salvation. Frank vs. God is a comedy that raises questions about faith and religion with a light-hearted tone and an open mind. The film is an uplifting story of one man’s search for answers, by taking them to a higher court.
 
“Writer/Director Stewart Schill’s initial instructions were simple and poignant: think of the music as a quiet but present character in the film, never overwhelming, but a gentle presence that could help guide the through line of our characters’ journeys,” Beard explained.  “There is a fair amount of motivic/thematic material, though the goal is certainly for the score to work well emotionally regardless of whether the listener consciously notices any of the themes!”
 
Jonathan Beard creates music for media and the concert stage.  As a composer, his recent projects include serving on the composing teams for video games Star Wars: Battlefront and Star Wars Old Republic: Knights Of The Fallen Empireand guest-composing for ABC's Once Upon A Time.  For the stage, Jonathan co-composed the oratorio The Passion Of Anne Frank for the Los Angeles Master Chorale as part of their Voices Within residency, and his original theatre-score for Driving Miss Daisy received an NAACP Theatre Award nomination.  He also recently completed the I-Park Foundation Artist Residency for his in-progress electroacoustic opera Cesare, Child Of Night
 
One of the most sought-after orchestrators in Los Angeles, Jonathan values collaboration with other composers very deeply.  He has worked closely with composers Junkie XL (Deadpool; Run All Night) and Bear McCreary (10 Cloverfield Lane; Marvel’s Agents of S.H.I.E.L.D.) for many years on numerous film, television, and video game projects, and more recently with composers including Abel Korzeniowski (Penny Dreadful)Heitor Pereira (Despicable Me 3) and Gordy Haab (Star Wars: Battlefront), among others.  
 
Jonathan holds music composition degrees from Stanford and UCLA, and is committed to music education: in 2011 he joined the faculty of the UCLA Herb Alpert School of Music, and he is a longtime supporter of Education Through Music - Los Angeles, currently serving on their Associates Board.  
 
Lakeshore Records will release Frank Vs. God – Official Motion Picture Soundtrack digitally on June 2, 2017. Frank Vs. God is available where videos are streamed or sold.
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VARÈSE SARABANDE EDITA EN JUNIO EL SCORE DE MICHAEL ANDREWS PARA LA COMEDIA "THE BIG SICK"


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PODCAST ESPECIAL LO MEJOR DE PHILIPPE ROMBI

Uno de los más importantes compositores europeos y, posiblemente, el autor con mayor sensibilidad temática del momento: Philippe Rombi. En el programa, sin comentarios, podéis escuchar los temas de las siguientes películas:
En la casa – Ángel – Potiche, mujeres al poder – La guerra de los Botones – Una nueva amiga – Swimming pool – Joven y bonita – Ricky – Un homme et son chien – Astérix: La residencia de los dioses – Feliz Navidad – Quiéreme si te atreves – Frantz.
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BIG MACHINE EDITA DIGITALMENTE EL SEGUNDO VOLUMEN DE LA QUINTA TEMPORADA DE "NASHVILLE"


Fragmentos en amazon.com
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PODCAST ESPECIAL OSCARS: 1994-2007

Un nuevo paseo por la alfombra roja con scores como Shakespeare enamorado, La Comunidad del Anillo. El Retorno del Rey, Descubriendo Nunca Jamás, Titanic, El violín rojo o El paciente inglés.

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LA EDITORIAL ROSETTA PUBLICA EN JUNIO EL LIBRO MONOGRÁFICO "JOHN BARRY: DE JAMES BOND A LA ETERNIDAD" DE LUIS SAAVEDRA Y SERGIO HARDASMAL

Más nuevas y buenas noticias; en esta ocasión la publicación de un libro en castellano sobre música de cine, "John Barry: De James Bond a la eternidad", en el que Luis Saavedra y Sergio Hardasmal hacen un recorrido por la vida y la obra de uno de los compositores más sobresalientes de la música de cine: el británico John Barry. El prólogo corre a cargo de uno de sus colaboradores más cercanos: el orquestador y director Nic Raine. Saldrá a la venta el próximo mes de junio.
Más información próximamente en edicionesrosetta.es
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DISNEY RECORDS EDITA EN JUNIO LA BSO Y EL SCORE DE "CARS 3" DE VARIOS ARTISTAS & RANDY NEWMAN



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LAKESHORE EDITA DIGITALMENTE "WAR MACHINE" DE NICK CAVE Y WARREN ELLIS



Información en inglés:
Lakeshore Records, in conjunction with Invada Records, will release the soundtrack for the Netflix Original Film War Machine digitally on May 26th and CD and LP later this year.  The album features the original score by Nick Cave & Warren Ellis (Wind River, Hell Or High Water).
“It is always helpful to be pushed into different worlds that are unique and unknown,” said composers Cave and Ellis.  “War Machine demanded a wholly different type of score than we had previously done. Together we made a score that was both light and dark, propulsive and meditative at the same time.  We developed a kind of 'spiritual electronics’ that captured both the melancholy and the terrible absurdity of the Afghan war.  It was a great pleasure to work with David Michôd, who is not only an extraordinary filmmaker but a musician too.  Our favorite score!”
In a film for our times, writer-director David Michôd (Animal Kingdom) recreates a U.S. General’s roller-coaster rise and fall as part reality, part savage parody – raising the specter of just where the line between them lies today. His is an anti-establishment, pro-soldier exploration in the form of an absurdist war story of a born leader’s ultra-confident march right into the dark heart of folly. At the story’s core is Brad Pitt’s sly take on a successful, charismatic four-star general who leapt in like a rock star to command NATO forces in Afghanistan, only to be taken down by his own hubris and a journalist’s no-holds-barred expose. War Machine addresses the debt we owe to soldiers to question the purposes to which they are being directed.
The Netflix Original Film is inspired by the book The Operators: The Wild & Terrifying Inside Story of America’s War in Afghanistan by the late journalist Michael Hastings. Joining Pitt in War Machine is a highly decorated cast including Emory Cohen, RJ Cyler, Topher Grace, Anthony Michael Hall, Anthony Hayes, John Magaro, Scoot McNairy, Will Poulter, Alan Ruck, Lakeith Stanfield, Josh Stewart, Meg Tilly, Tilda Swinton and Sir Ben Kingsley. Brad Pitt, Dede Gardner, Jeremy Kleiner, Ted Sarandos and Ian Bryce serve as producers. James W. Skotchdopole, Pauline Fischer, Sarah Bowen and Sarah Esberg serve as executive producers.
TRACK LISTING
01. Ah America - Nick Cave & Warren Ellis
02. Humble Man - Nick Cave & Warren Ellis
03. The Bubble - Nick Cave & Warren Ellis
04. The Civilian Executive - Nick Cave & Warren Ellis
05. In Liebe Dein - Roedelius
06. Badi Basim - Nick Cave & Warren Ellis
07. Kamee - Roedelius       
08. The Moon Landing - Nick Cave & Warren Ellis
09. Our Noise - Nick Cave & Warren Ellis
10. Fabelwein - Roedelius
11. Jeanie - Nick Cave & Warren Ellis
12. NY Snow Globe - Rachel's
13. Thousands of Parades, All Over America - Nick Cave & Warren Ellis
14. Marjah - Nick Cave & Warren Ellis
15. Staunen im Fjord - Roedelius
16. The Hand Of Helping - Nick Cave & Warren Ellis
17. Be Lovely - Nick Cave & Warren Ellis
18. A Page In The History Books - Nick Cave & Warren Ellis
19. War Machine - Nick Cave & Warren Ellis

War Machine will be released on Netflix on May 26, 2017.  Lakeshore Records, in conjunction with Invada Records, will release the War Machine – Netflix Original Film Soundtrack digitally on May 26th and CD and LP later this year.
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ABOUT NICK CAVE & WARREN ELLIS
Nick Cave and Warren Ellis create film and theatre scores that are elegantly minimal, hauntingly beautiful and instantly recognizable as theirs alone. Full of light and shade, creeping dread and inconsolable yearning, these heavily instrumental sound paintings inject aching humanity into ghostly frontier towns, parched desert vistas and post-apocalyptic war zones. Most are built around the duos intertwined piano and violin melodies, with sporadic use of guitar, flute, mandolin, celeste, percussion and other elements. Vocals are rare and sparing. But even without lyrics, they are always lyrical.
While Cave and Ellis have played together in the Bad Seeds and related projects since 1995, their shadow career as score composers only blossomed a decade later. The duo created their first suite of cinematic soundscapes for The Proposition (2005), directed by fellow Australian and frequent collaborator John Hillcoat. Scripted by Cave himself, this brutal Outback western starred Guy Pearce, Ray Winstone, Emily Watson and Danny Huston. Bedded in looped violin motifs, these widescreen instrumentals and hushed ballads evoked the parched majesty and sweltering savagery of the storys elemental desert setting.
According to Cave, discovering Ellis’ deep archive of violin loops was a revelatory tipping point, laying the foundations for the duos unorthodox composition methods. “It was suddenly an amazing way to write because you didnt have to do things from scratch,” he explains. “Warren would put on a loop that would create this instant atmosphere, and we could go off and work on top of that. To sit at a piano, put chords onto a linear loop and make something out of that is just an easy and very pleasurable way to work.”
Cave and Ellis followed The Proposition with a trio of kinetic theatre pieces for the much-feted Icelandic actor-director Gisli Örn Gardarsson: Woyzeck (2006), Metamorphosis (2006) and Faust (2010). Their speedy composing techniques allowed them to take risks on this kind of left-field production, where raw creative energy takes precedence over budget. They also added plaintive tones and drones to two acclaimed documentaries: Geoffrey Smiths The English Surgeon (2007), about an exiled doctors struggle to bring modern neurosurgery to post-Soviet Ukraine, and Matthew Watsons The Girls of Phnom Penh (2009), a compassionate portrait of three sex workers in Cambodia.
Meanwhile, Hollywood began to take an interest in the shape of Andrew Dominiks elegiac anti-western The Assassination of Jesse James by the Coward Robert Ford (2007), starring Brad Pitt and Casey Affleck. Because of post-production delays, the score was composed before Cave and Ellis saw a single frame of the finished film, and yet these sepia-tinted sound paintings and retro-rustic ballad proved a perfect fit for Dominiks visually sumptuous psychological study of hero worship and homicidal stalking in the Old West. Cave even played an acting cameo, as a yelping saloon-bar minstrel.
Between film scores, the duos freeform working methods increasingly began to bleed into their rock-band day jobs with the Bad Seeds, Dirty Three and especially Grinderman. “Initially with The Proposition we would sit there and make hours and hours of music,” Ellis recalls. “Then that sprawled into the way we started doing the Grinderman stuff. It felt like there was a way to take that stuff into the bands, or form a band based around that approach. The score work always felt like it was asking to go to places that the bands werent.”
Cave and Ellis reunited with director John Hillcoat for his sombre adaptation of Cormac McCarthys dystopian novel The Road (2009), starring Viggo Mortensen as a loving father guiding his young son across the ash-strewn ruins of a post-apocalyptic America. Their artfully minimal score combines mournful piano with clanging industrial percussion, heartsick longing and lurking malice. An anthology album of the duos film music to date, White Lunar, was also released in 2009.
After contributing to Everardo Valerio Gouts award-winning Mexican crime thriller Days of Grace (2011), Cave and Ellis composed a full score for Amy Bergs true-life documentary West of Memphis (2012), about a notoriously controversial murder case in Arkansas. The duo then changed musical gear for their next John Hillcoat collaboration, the blood-soaked Depression-era bootlegging thriller Lawless (2012), starring Tom Hardy and Jessica Chastain. Cave adapted the screenplay while he and Ellis assembled a wilfully anachronistic selection of bluegrass cover versions, performed with a supergroup ensemble of vocal legends including Willie Nelson, Emmylou Harris and Mark Lanegan.
Cave and Ellis’ created a ravishing score for director David Olehoffens Far From Men (2104). The film – a triple prize-winner at the Venice film festival - stars Viggo Mortensen and Reda Kateb. Adapted from a short story by Albert Camus, it is a powerful tale of divided loyalties and colonialist violence during Algerias war of independence. With its mesmeric drones, pointillist piano jabs, weeping strings and nerve-jangling electronics, this is one of the duos most emotive and experimental soundtracks to date, sounding both achingly intimate and cosmically vast.
2016 saw Cave and Ellis’ score Hell or High Water directed by David Mackenzie. Nominated for Best Picture in this year’s Oscars, the film follows two brothers who carry out a series of bank robberies to save their family ranch, and stars Jeff Bridges, Chris Pine, and Ben Foster.  During 2016 the duo also scored the National Geographic Channel’s six-part series “Mars” (directed by Everardo Gout).
“Very often a tension can happen between music and picture that is about chance and a kind of unknowingness that can be really amazing,” Cave says. “Just by putting together two things that were created in isolation, music and film, suddenly something quite magical can happen.”
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SILVA SCREEN EDITA DIGITALMENTE EL SCORE DE LA SERIE "HARLOTS" DE RAEL JONES



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MUSIC ON VINYL REEDITA EN VINILO "MASH" DE JOHNNY MANDEL

Información en musiconvinyl.com
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WATERTOWER EDITA EN FORMATO DIGITAL LA CUARTA TEMPORADA DE "THE 100" DE TREE ADAMS


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INTRADA EDITA EN TRIPLE CD "POLTERGEIST II: THE OTHER SIDE" DE JERRY GOLDSMITH


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MONDO EDITA EN VINILO "EL 5º ELEMENTO" DE ERIC SERRA



MONDO
The Fifth Element - Original Motion Picture Soundtrack 2XLP (PRE-ORDER). 
Music by Eric Serra. Original Artwork by Shan Jiang. Re-Mastered for Vinyl. Available on 2x 180 Gram White with Orange Striped Vinyl - or - 2x 180 Gram "Super Green" Vinyl (limited to 500 copies). $35
THE FIFTH ELEMENT is essential science fiction cinema. Dystopian in concept, but optimistic in message, Luc Besson gracefully threads the needle of making an epic film that's equal parts action adventure, bubble-gum camp, and passionate plea for love above all things.

Composed by Eric Serra (LA FEMME NIKITA, GOLDENEYE, LEON: THE PROFESSIONAL), the music for the film goes above and beyond the duties of your average film score. Not only is the soundtrack responsible for carrying the wildly vast tonal spectrum - name another film that bounces sonically from comedic montage, to straight-faced Opera to action adventure in the span of 15 minutes - but he makes it feel, and sound effortless. It is a truly unique listening experience.
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LAKESHORE EDITA DIGITALMENTE "CRAWL INTO THE NARROW CAVES" DE BINARY REPTILE

Información en inglés:
ABOUT THE NARROW CAVES
The Narrow Caves is the first Audiostate(TM) ever released, a new product combining the grandiosity of Hollywood films with the intimacy of audio to create an "ear-movie" experience. Adapted from a script by award-winning novelist, screenwriter, and director S. Craig Zahler (Bone Tomahawk, Wraiths of the Broken Land), The Narrow Caves features voice acting by Vincent D'Onofrio (Full Metal Jacket, Daredevil), Will Patton (Armageddon, Falling Skies), Lili Simmons (Bone Tomahawk, Banshee) and Wyatt Russell (Everybody Wants Some, Black Mirror). Binary Reptile provides an eerie score that contributes to the cinematic feel of this haunting piece.
 
CRAWL INTO THE NARROW CAVES is original music used as the score to THE NARROW CAVES.”
 
SYNOPSIS: 
In Florida, 1983, two college students meet at a yard party and do not hit it off. Walter and Ruby have no reason to reprise this antagonistic encounter, but something strange and almost primordial burgeons within each of them. Their thoughts and dreams turn toward each other, and in very little time they find themselves in an intense and unique relationship. What lies at the bottom of their strange connection is unearthed when Walter joins Ruby on a holiday trip to her home in upstate New York, where a living darkness inhabits the woodlands that surround her family's mansion. This engrossing and unpredictable blend of mystery, horror, and romance subverts the idea of "fated love" while exploring strange compulsions, intense desires, and ancient mysteries that are best left buried deep in the earth.
 
ABOUT JEFF HERRIOTT
Versatile composer Jeff Herriott is equally comfortable and experienced in a range of musical settings, including contemporary classical music, indie rock, heavy metal, and experimental electronic projects. In 2015 Lakeshore Records released the soundtrack to BONE TOMAHAWK, his first film score.
 
Recipient of commissions from the Barlow Endowment for Music Composition, the MATA Festival, and the American Composers Forum, Herriott has had his classical works performed by leading soloists and ensembles across four continents. His music, which often includes interaction between live performers and electronic sounds, has been described as “colorful…darkly atmospheric” (New York Times), “hypnotic” (mainlypiano.com), and “incredibly soft, beautiful, and delicate” (Computer Music Journal). His works are released on the Albany, Innova, New Tertian, SEAMUS, SoundSet, and UKM2 labels.
 
Herriott’s work in popular and contemporary forms has primarily take shape with the sleepy rock band Bell Monks, whose 2012 album Let the Waves Carry Us (Mine All Mine Records), was named one of Madison’s 10 best and most ambitious of the year (madison.com), and the metal outfit Realmbuilder, whose three albums have been released through Sweden’s I Hate Records. Herriott frequently performs experimental work as an electronic/ laptop musician and has appeared alongside a range of musicians at galleries and clubs including John Zorn’s NYC space The Stone, Spectrum NYC, Buffalo’s Hallwalls, and the Inova Gallery (Milwaukee).
 
Herriott is a Professor of Music at the University of Wisconsin at Whitewater, where he is the coordinator of the Media Arts and Game Development Program and teaches courses in audio, multimedia, music technology, and composition.
 
ABOUT S. CRAIG ZAHLER
Florida-born New Yorker S. Craig Zahler worked for many years as a cinematographer and a catering chef, while playing heavy metal and creating strange theater pieces.  His debut western novel, A Congregation of Jackals, was nominated for both the Peacemaker and the Spur awards, and his western screenplay, THE BRIGANDS OF RATTLEBORGE, garnered him a three-picture deal at Warner Brothers and topped the prestigious Black List.  In 2011, a horror movie that he wrote in college, ASYLUM BLACKOUT (aka The Incident), was made and picked up by IFC Films after a couple of people fainted at its Toronto premiere.
 
As drummer, lyricist, and co-songwriter, Zahler makes music with his doomy epic metal band Realmbuilder, which is signed to I Hate Records (Sweden).  This followed his foray in black metal with the project Charnel Valley (whose two albums were released by Paragon Records).
 
Zahler’s uncommonly nasty horror western novel Wraiths of the Broken Land came out 2013.  The following year saw the release of his transhuman science fiction novel Corpus Chrome, Inc., the publication by St. Martin’s Press of his crime novel,Mean Business on North Ganson Street, and the twenty-one day shoot of his directorial debut, BONE TOMAHAWK.
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PODCAST ESPECIAL LO MEJOR DE JOHN SCOTT

Su primer trabajo para la gran pantalla fue en 1965 con 'Estudio de terror', cuando tenía 34 años. Desde entonces, John Scott forjó una carrera llena de scores notables, algunos de ellos verdaderos iconos de la música de cine. En el programa, sin comentario, podéis escuchar los temas de las siguientes películas y series:
20000 leguas de viaje submarino – Estudio de terror – Cousteau: Amazonas – Lejos de casa – La cacería – Shogun Mayeda – La Expedición Julio Verne – Mountbatten, el último virrey – Marco Antonio y Cleopatra – Greystoke, la leyenda de Tarzán, el rey de los monos – King Kong 2 (2) – Bala blindada – Dispara a matar – El final de la cuenta atrás – The scarlet tunic – William, the conqueror.
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EDICIÓN DIGITAL DE LA BSO DE "THE DINNER" DE VARIOS ARTISTAS


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HOLLYWOOD RECORDS EDITA EN DOBLE VINILO EN AGOSTO "GUARDIANS OF THE GALAXY. VOL. 2" DE TYLER BATES & VARIOS ARTISTAS

Reserva en amazon.com
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QUARTET EDITA "THE LONGEST YARD / HUSTLE" DE FRANK DE VOL


Información en quartetrecords.com
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LAKESHORE EDITA EN JUNIO LA BSO DE LA SERIE "MASTER OF NONE" (SEGUNDA TEMPORADA)


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LAKESHORE EDITA DIGITALMENTE "THE WIZARD OF LIES" DE EVGUENI GALPERINE & SACHA GALPERINE

Fragmentos en amazon.es
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UNIVERSAL MUSIC EDITA EN JUNIO DIGITALMENTE "CAPTAIN UNDERPANTS: THE FIRST EPIC MOVIE" DE THEODORE SHAPIRO & VARIOS ARTISTAS

Fragmentos en amazon.es
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