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Lakeshore edita "One strange rock" de Daniel Pemberton

Información en inglés:
National Geographic and Lakeshore Records partner with Golden Globe®-nominated composer Daniel Pemberton (“All the Money in the World,” “Molly’s Game,” “Gold,” “Steve Jobs”) to unveil the richly compelling score for ONE STRANGE ROCK, a 10-part global event series premiering on National Geographic on Monday, March 26, at 10/9c. Lakeshore Records will release the original soundtrack digitally on Friday, March 30.
Academy Award®-nominated filmmaker Darren Aronofsky (“mother!,” “Black Swan,” “Requiem for a Dream”) and award-winning producer Jane Root (“America The Story of Us,” “The 80s: The Decade That Made Us”) collaborate with host Will Smith and eight legendary astronauts to tell the extraordinary story of our curiously calibrated, interconnected planet.
Pemberton’s intense score complements the visual brilliance of ONE STRANGE ROCK, exposing the hauntingly ethereal beauty of Earth, the only place we call home. His dynamic sound coupled with the cinematic storytelling takes audiences on an electrifying trip across 45 countries, six continents and outer space.
“Much like how Darren Aronofsky and the rest of the team wanted ONE STRANGE ROCK to feel radically different to anything like it before, I wanted continue that ethos with the soundtrack album,” says Daniel Pemberton. “I wanted to make it much more of an immersive listening experience than just a standard collection of cues from across the series—something that reconnects you with the stories, the visuals and the world when you hear it.”
Pemberton created a special listening experience for the soundtrack recording. “I’ve tried to make music that could only exist right now,” he explains. “But I wanted the listening experience to harken back to classic albums from the 70s by artists like Pink Floyd or Vangelis—albums you’d play all the way through. The soundtrack is broken down into four parts—one for each side of a double LP. It’s a continuous musical trip made for listening and not shuffling.”
“We are thrilled to partner with visionary composer Daniel Pemberton on our series ONE STRANGE ROCK,” says Ashley Winton, Vice President, Music, National Geographic Partners. “The score he created provides the perfect sonic landscape for Darren Aronofsky’s stunning visuals.”
Download the ONE STRANGE ROCK trailer here
Visuals from the 10-part global event series here
Hi-res Daniel Pemberton photo here
About Daniel Pemberton
DANIEL PEMBERTON (Composer) is a multi Golden Globe and BAFTA Award-nominated composer who has been regularly cited as one of the most exciting and original new voices working in modern film scoring today. “One Strange Rock”marks his first collaboration with legendary director Darren Aronofsky and continues his habit of being sought out by some of the most renowned names in the industry such as Ridley Scott, Danny Boyle, Aaron Sorkin and Guy Ritchie.
His bold writing and unusual and innovative arrangements on scores for movies have seen the soundtracks constantly singled out for critical acclaim whether they are studio films such as such as “The Man from U.N.C.L.E.” or smaller independent features such as last year’s Cannes Palm D’Or nominee “Mal De Pierres” starring Marion Cotillard. Recent work on Ridley Scott’s “All The Money In The World” – as well as his soundtrack to Aaron Sorkin’s “Molly’s Game” and Guy Ritchie’s “King Arthur – Legend Of The Sword” – saw the composer nominated as ‘Composer Of The Year” by the International Film Music Critics Association. His work on Danny Boyle’s “Steve Jobs” and also Stephen Gaghan’s “Gold” (for which he co-wrote a song with Iggy Pop) both garnered Golden Globe nominations for the composer.
Having worked in British television for over two decades on countless Emmy and BAFTA Award-winning dramas and documentaries (such as “Space Dive,” Peep Show,” “Complicit” “Occupation,” and “Hiroshima”), Pemberton’s big break into feature films came after Ridley Scott was so impressed with his debut film score in 2011 for the period supernatural thriller “The Awakening” that he hired the composer to score his feature “The Counselor”. The pair collaborated again on Scott’s first directorial foray into television, “The Vatican” as well as the recently Oscar nominated picture “All The Money In The World”.
Pemberton is now currently scoring “Oceans 8”, a new female driven twist on the popular heist series directed by Gary Ross and with a cast that includes Sandra Bullock, Cate Blanchett, Helena Bonham Carter and Rhianna.  
About the Series
There really is no place like home. National Geographic, acclaimed filmmaker Darren Aronofsky (“mother!” “Black Swan,” “Requiem for a Dream”) and award-winning producer Jane Root (“America The Story of Us,” “The 80s: The Decade That Made Us”) join forces on an epic, cinematic event series that will redefine science and natural history filmmaking. Hosted by Will Smith (“Ali,” “Pursuit of Happyness,” “Men in Black I, II, III”), ONE STRANGE ROCK promises to be a mind-bending, thrilling journey exploring the fragility and wonder of our planet, one of the most peculiar, unique places in the universe. It’s the extraordinary story of why life as we know it exists on Earth, brought into perspective by the only people to have left it behind: astronauts. This 10-part series from Nutopia and Protozoa Pictures brings cameras where they’ve never been before, having filmed in 45 countries, on six continents and from outer space on the ISS. ONE STRANGE ROCK guides viewers through our vulnerable speck of a planet among the vast, harsh cosmic arena, revealing the twists of fate that have allowed life to emerge, survive and thrive on Earth.
National Geographic Partners LLC
National Geographic Partners LLC (NGP), a joint venture between National Geographic and 21st Century Fox, is committed to bringing the world premium science, adventure and exploration content across an unrivaled portfolio of media assets. NGP combines the global National Geographic television channels (National Geographic Channel, Nat Geo WILD, Nat Geo MUNDO, Nat Geo PEOPLE) with National Geographic’s media and consumer-oriented assets, including National Geographic magazines; National Geographic studios; related digital and social media platforms; books; maps; children’s media; and ancillary activities that include travel, global experiences and events, archival sales, licensing and e-commerce businesses. Furthering knowledge and understanding of our world has been the core purpose of National Geographic for 129 years, and now we are committed to going deeper, pushing boundaries, going further for our consumers … and reaching millions of people around the world in 172 countries and 43 languages every month as we do it. NGP returns 27 percent of our proceeds to the nonprofit National Geographic Society to fund work in the areas of science, exploration, conservation and education. For more information visit nationalgeographic.com, or find us on FacebookTwitterInstagramGoogle+, YouTubeLinkedIn and Pinterest.
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Lakeshore edita digitalmente "Survivors guide to prison" de Sebastian Robertson

Información en inglés:
You're more likely to go to prison in the USA than any other country in the world, so in the unfortunate case it happens to you, this is the SURVIVORS GUIDE TO PRISON. Following the stories of two innocent men who spent decades behind bars for murders they did not commit. Gripping testimony from inmates, guards, staff, cops, analysts, lawyers and reformers, SURVIVORS GUIDE exposes the failed “punishment model” and examines the dramatic programs proven to work.
Sebastian Robertson began contributing to movie soundtracks at the age of 19 as a session drummer and percussionist for the Barry Levinson film, Jimmy Hollywood and the PBS documentary Music For The Native Americans. In 2000, he began his career as a composer when he co- wrote the theme and scored the episodes of the NBC/David Spade show Sammy.
Robertson’s unique blend of organic and synth score has landed his music on over 100 television shows to date. He recently composed the score for the award winning short film Chenmo de Pengyou (2016) as well as for the feature films Condemned (2015), additional music for Martin Scorsese’s Silence, and original music for Survivor’s Guide To Prison (2018). His compositions can also be found on major ad campaigns for Cup Noodles, Reebok, Coca Cola, and the theme for Ridley Scott’s, Alien: Covenant.
In 2015, in collaboration with Universal, Robertson spearheaded an on demand, custom creation division. He has produced a catalog of over 5000 pieces of music with a top-level client base consisting of NBC, ABC, FOX, Vice, E!, MTV and more.
01. Witness (feat. Daniel Davies)
02. Antisocial
03. Baby’s Breath
04. Enclosed
05. Seasons
06. Growing
07. Summer’s End (feat. Daniel Davies)
08. Consume
09. Dwane’s Theme
10. Westwood
11. Dawn
12. Glass House
13. Homeward
14. Nights (feat. Daniel Davies)
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Edición digital del score de Nicola Piovani para "A casa tutti bene"

Fragmentos en amazon.com
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Sello Discográfico RTVE edita en formato digital "Dorien" de Iván Cester & Javier Bayón

Fragmentos en amazon.es
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Edición digital del score de Marco Fedalto para "Leo da Vinci: Mission Mona Lisa"

Fragmentos en open.spotify.com
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Edición digital del score de Bruno Coulais para "Eva"

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Decca editará en mayo digitalmente "John Williams: A life in music"

Fragmentos en amazon.es
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Edición digital del score de Laurent Pérez del Mar para la comedia "Mme. Mills, une voisine si parfaite"

Fragmentos del score en amazon.es
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MovieScore Media (digital) & Quartet (CD) editan "Mathilde" de Marco Beltrami

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Últimas novedades en formato digital y CD

Edición de Big Machine en CD para marzo.

Edición digital de Lakeshore para marzo.

Edición digital de Milan Records.

Edición digital de Filmtrax.

Edición de Sony en CD para marzo.

 Edición en CD de Varèse para marzo.

Edición en CD de COCP para marzo.
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Edición digital del score de Alexei Aigui para "The young Karl Marx"

Fragmentos en amazon.com
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Void edita el score de Joseph Bishara para "The Worthy"

Información en inglés:
Void recordings will release The Worthy – Original Motion Picture Soundtrack digitally on February 23, 2018. The album features original music by composer Joseph Bishara (Insidious 1-4, The Conjuring 1&2).
The post-apocalyptic thriller The Worthy was one of the largest Arabic genre film productions in the Middle East, served by an evocative score combining electronic elements with organic grit and a percussive push. The devastation on display is also reflected in emotionally wrenching string writing, channeling loss and hope along with the sense of doom in this dark vision of one possible future.
“Going into this it was clear that Ali (Mostafa, director) didn’t want a necessarily Middle Eastern sound though the film is of the region,” said Bishara. “He described it as taking place in a world after extremism, a relatable and possibly devastating scenario.”
For a movie that offers a dark future, composer Joseph Bishara seemed a perfect choice.  Bishara is composer and music producer who tends towards a darker flavor; the highest grossing horror composer of the last decade with films surpassing the billion-dollar box office mark.  
“Thematically the film deals with personalities that emerge through orchestrated chaos, and how various types handle danger and adversity,” Bishara explained. “There is a clear path for the hero to rise out of the situation, and his musical journey was worked backwards starting with the final scene, then deconstructing into the earlier setup.”
Beginning his career as guitarist and keyboardist for the L.A. industrial metal band Drown, Joseph Bishara segued to soundtrack work on Mortal Kombat: AnnihilationHeavy Metal 2000, and John Carpenter’s Ghosts of Mars.  Since that time, he has scored films including The ConjuringThe Conjuring 2Annabelle,The Other Side of the DoorThe Worthy and many others, often appearing onscreen as creature performers in these films.
Perhaps best known for his work on the horror franchise Insidious, Bishara earned the Fangoria Chainsaw Award for Best Score on the film.  He has since composed the music for its sequels Insidious Chapter 2,Insidious Chapter 3 and Insidious: The Last Key.  His upcoming projects also include writing the music for the film The Children and “production work on a Tech N9ne collaboration titled “Brightfall", due to be released in March off the album “Planet".
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Edición digital del score de Éric Neveux para "Les aventures de Spirou et Fantasio"

Fragmentos del score en amazon.com
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Sony edita en formato digital "Den of thieves" de Cliff Martínez

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BMG edita digitalmente el score de Mark Isham para "Fallen"

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Lakeshore edita en formato digital "Annihilation" de Ben Salisbury & Geoff Barrow

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Edición digital del score de Bear McCreary para "The Cloverfield Paradox"

Fragmentos en amazon.com
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Back Lot Music edita el score de Chris Hajian para "El Pájaro Loco: La película"

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Lakeshore edita digitalmente "Abe & Phil's last poker game" de Steven Argila

Información en inglés:
When Dr. Abe Mandelbaum (Martin Landau) moves into the nursing home, Cliffside Manor, with his deteriorating wife Molly, he forms an improbable relationship with gambler and womanizer, Phil Nicoletti (Paul Sorvino). Even though at first Abe feels that moving into the home is the end of the road, he soon realizes that his life is finding a whole new beginning. Abe and Phil's friendship is challenged when a mysterious nurse claims that her biological father resides in the home. Without children of their own, both Abe and Phil jump at the chance to convince Angela, and themselves, that they are her father.
Steven’s musical life began at the age of seven when his parents brought home an electric organ.  By 10, he was winning regional and national competitions on piano and organ.  At 14, he was accepted into the pre-college division of The Juilliard School.  Steven continued his conservatory training for four years on a full scholarship to Juilliard, graduating with a Bachelor of Music degree. A professional musician since the age of 15, Steven has broad experience working in every capacity of the business, including as a composer, producer, songwriter, arranger, music director, orchestrator and performer – often simultaneously.  And his intense classical training gives him the ability to work in a wide variety of styles. Flexibility and versatility are two of Steven’s trademarks, and he particularly enjoys collaboration with directors and producers. 
Steven has composed for virtually every genre, from dramatic, comedy, and musical feature films (Basmati Blues, Mad Song, The Thing About My Folks, Dear Dumb Diary, How to Grow Your Own) to documentaries (Peggy Guggenheim: Art Addict, Alive and Kicking), mocumentaries (Memron), animation (“Monster High,” “Max Steel,” “Scooby Doo Pirates Ahoy”, “Puppy Chase”), tv dramas, (“The Get”, CBS, “There’s Johnny”, NBC, “Skyward”, Amazon), sitcoms (“The Paul Reiser Show”, NBC, “10 Items or Less,” TBS), pop records, classical recordings, and musical theater.  His talents range from creating lush dramatic scores to quirky comedy cues and everything in between.  On the forthcoming Hollywood-meets-Bollywood musical Basmati Blues, starring Brie Larson, Steven acted as composer, songwriter, and soundtrack producer.
Steven composes, records, mixes, and produces his scores at 88 Keys Music, his studio in the heart of Silver Lake on the eastside of Los Angeles. 
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Lakeshore edita los scores de Ben Lovett para "The ritual" y "American folk"

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(C) Ignacio Granda - avilesbeach@gmail.com. Imágenes del tema: A330Pilot. Con la tecnología de Blogger.

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