Mostrando entradas con la etiqueta Lakeshore. Mostrar todas las entradas
Mostrando entradas con la etiqueta Lakeshore. Mostrar todas las entradas

Lakeshore edita "One strange rock" de Daniel Pemberton

Información en inglés:
National Geographic and Lakeshore Records partner with Golden Globe®-nominated composer Daniel Pemberton (“All the Money in the World,” “Molly’s Game,” “Gold,” “Steve Jobs”) to unveil the richly compelling score for ONE STRANGE ROCK, a 10-part global event series premiering on National Geographic on Monday, March 26, at 10/9c. Lakeshore Records will release the original soundtrack digitally on Friday, March 30.
Academy Award®-nominated filmmaker Darren Aronofsky (“mother!,” “Black Swan,” “Requiem for a Dream”) and award-winning producer Jane Root (“America The Story of Us,” “The 80s: The Decade That Made Us”) collaborate with host Will Smith and eight legendary astronauts to tell the extraordinary story of our curiously calibrated, interconnected planet.
Pemberton’s intense score complements the visual brilliance of ONE STRANGE ROCK, exposing the hauntingly ethereal beauty of Earth, the only place we call home. His dynamic sound coupled with the cinematic storytelling takes audiences on an electrifying trip across 45 countries, six continents and outer space.
“Much like how Darren Aronofsky and the rest of the team wanted ONE STRANGE ROCK to feel radically different to anything like it before, I wanted continue that ethos with the soundtrack album,” says Daniel Pemberton. “I wanted to make it much more of an immersive listening experience than just a standard collection of cues from across the series—something that reconnects you with the stories, the visuals and the world when you hear it.”
Pemberton created a special listening experience for the soundtrack recording. “I’ve tried to make music that could only exist right now,” he explains. “But I wanted the listening experience to harken back to classic albums from the 70s by artists like Pink Floyd or Vangelis—albums you’d play all the way through. The soundtrack is broken down into four parts—one for each side of a double LP. It’s a continuous musical trip made for listening and not shuffling.”
“We are thrilled to partner with visionary composer Daniel Pemberton on our series ONE STRANGE ROCK,” says Ashley Winton, Vice President, Music, National Geographic Partners. “The score he created provides the perfect sonic landscape for Darren Aronofsky’s stunning visuals.”
Download the ONE STRANGE ROCK trailer here
Visuals from the 10-part global event series here
Hi-res Daniel Pemberton photo here
About Daniel Pemberton
DANIEL PEMBERTON (Composer) is a multi Golden Globe and BAFTA Award-nominated composer who has been regularly cited as one of the most exciting and original new voices working in modern film scoring today. “One Strange Rock”marks his first collaboration with legendary director Darren Aronofsky and continues his habit of being sought out by some of the most renowned names in the industry such as Ridley Scott, Danny Boyle, Aaron Sorkin and Guy Ritchie.
His bold writing and unusual and innovative arrangements on scores for movies have seen the soundtracks constantly singled out for critical acclaim whether they are studio films such as such as “The Man from U.N.C.L.E.” or smaller independent features such as last year’s Cannes Palm D’Or nominee “Mal De Pierres” starring Marion Cotillard. Recent work on Ridley Scott’s “All The Money In The World” – as well as his soundtrack to Aaron Sorkin’s “Molly’s Game” and Guy Ritchie’s “King Arthur – Legend Of The Sword” – saw the composer nominated as ‘Composer Of The Year” by the International Film Music Critics Association. His work on Danny Boyle’s “Steve Jobs” and also Stephen Gaghan’s “Gold” (for which he co-wrote a song with Iggy Pop) both garnered Golden Globe nominations for the composer.
Having worked in British television for over two decades on countless Emmy and BAFTA Award-winning dramas and documentaries (such as “Space Dive,” Peep Show,” “Complicit” “Occupation,” and “Hiroshima”), Pemberton’s big break into feature films came after Ridley Scott was so impressed with his debut film score in 2011 for the period supernatural thriller “The Awakening” that he hired the composer to score his feature “The Counselor”. The pair collaborated again on Scott’s first directorial foray into television, “The Vatican” as well as the recently Oscar nominated picture “All The Money In The World”.
Pemberton is now currently scoring “Oceans 8”, a new female driven twist on the popular heist series directed by Gary Ross and with a cast that includes Sandra Bullock, Cate Blanchett, Helena Bonham Carter and Rhianna.  
About the Series
There really is no place like home. National Geographic, acclaimed filmmaker Darren Aronofsky (“mother!” “Black Swan,” “Requiem for a Dream”) and award-winning producer Jane Root (“America The Story of Us,” “The 80s: The Decade That Made Us”) join forces on an epic, cinematic event series that will redefine science and natural history filmmaking. Hosted by Will Smith (“Ali,” “Pursuit of Happyness,” “Men in Black I, II, III”), ONE STRANGE ROCK promises to be a mind-bending, thrilling journey exploring the fragility and wonder of our planet, one of the most peculiar, unique places in the universe. It’s the extraordinary story of why life as we know it exists on Earth, brought into perspective by the only people to have left it behind: astronauts. This 10-part series from Nutopia and Protozoa Pictures brings cameras where they’ve never been before, having filmed in 45 countries, on six continents and from outer space on the ISS. ONE STRANGE ROCK guides viewers through our vulnerable speck of a planet among the vast, harsh cosmic arena, revealing the twists of fate that have allowed life to emerge, survive and thrive on Earth.
National Geographic Partners LLC
National Geographic Partners LLC (NGP), a joint venture between National Geographic and 21st Century Fox, is committed to bringing the world premium science, adventure and exploration content across an unrivaled portfolio of media assets. NGP combines the global National Geographic television channels (National Geographic Channel, Nat Geo WILD, Nat Geo MUNDO, Nat Geo PEOPLE) with National Geographic’s media and consumer-oriented assets, including National Geographic magazines; National Geographic studios; related digital and social media platforms; books; maps; children’s media; and ancillary activities that include travel, global experiences and events, archival sales, licensing and e-commerce businesses. Furthering knowledge and understanding of our world has been the core purpose of National Geographic for 129 years, and now we are committed to going deeper, pushing boundaries, going further for our consumers … and reaching millions of people around the world in 172 countries and 43 languages every month as we do it. NGP returns 27 percent of our proceeds to the nonprofit National Geographic Society to fund work in the areas of science, exploration, conservation and education. For more information visit nationalgeographic.com, or find us on FacebookTwitterInstagramGoogle+, YouTubeLinkedIn and Pinterest.
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Lakeshore edita digitalmente "Survivors guide to prison" de Sebastian Robertson

Información en inglés:
You're more likely to go to prison in the USA than any other country in the world, so in the unfortunate case it happens to you, this is the SURVIVORS GUIDE TO PRISON. Following the stories of two innocent men who spent decades behind bars for murders they did not commit. Gripping testimony from inmates, guards, staff, cops, analysts, lawyers and reformers, SURVIVORS GUIDE exposes the failed “punishment model” and examines the dramatic programs proven to work.
Sebastian Robertson began contributing to movie soundtracks at the age of 19 as a session drummer and percussionist for the Barry Levinson film, Jimmy Hollywood and the PBS documentary Music For The Native Americans. In 2000, he began his career as a composer when he co- wrote the theme and scored the episodes of the NBC/David Spade show Sammy.
Robertson’s unique blend of organic and synth score has landed his music on over 100 television shows to date. He recently composed the score for the award winning short film Chenmo de Pengyou (2016) as well as for the feature films Condemned (2015), additional music for Martin Scorsese’s Silence, and original music for Survivor’s Guide To Prison (2018). His compositions can also be found on major ad campaigns for Cup Noodles, Reebok, Coca Cola, and the theme for Ridley Scott’s, Alien: Covenant.
In 2015, in collaboration with Universal, Robertson spearheaded an on demand, custom creation division. He has produced a catalog of over 5000 pieces of music with a top-level client base consisting of NBC, ABC, FOX, Vice, E!, MTV and more.
01. Witness (feat. Daniel Davies)
02. Antisocial
03. Baby’s Breath
04. Enclosed
05. Seasons
06. Growing
07. Summer’s End (feat. Daniel Davies)
08. Consume
09. Dwane’s Theme
10. Westwood
11. Dawn
12. Glass House
13. Homeward
14. Nights (feat. Daniel Davies)
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Lakeshore edita "Love, Simon" de Rob Simonsen

Información en inglés:
Everyone deserves a great love story. But for seventeen-year old Simon Spier it’s a little more complicated: he’s yet to tell his family or friends he’s gay and he doesn’t actually know the identity of the anonymous classmate he’s fallen for online. Resolving both issues proves hilarious, terrifying and life-changing. Directed by Greg Berlanti (Riverdale, The Flash, Supergirl), written by Isaac Aptaker & Elizabeth Berger (This is Us), and based on Becky Albertalli’s acclaimed novel, LOVE, SIMON is a funny and heartfelt coming-of-age story about the thrilling ride of finding yourself and falling in love
Rob Simonsen has had a thread in the fabric of some of the most noteworthy and prestigious films of the past decade. He collaborated with director Bennett Miller to underline the unsettling atmosphere of the Oscar-nominated drama FOXCATCHER, and spanned an eternity of star-crossed romance with THE AGE OF ADALINE, also co-writing the film's end credits song. He scored the Steve Carell-starring dramedy THE WAY WAY BACK with sensitivity, sympathized with the coming-of-age THE SPECTACULAR NOW, and sweetened Zach Braff's coming-of-middle-age film WISH I WAS HERE. Also under his belt is the horror-comedy THE MASTER CLEANSE, Roland Emmerich's political drama Stonewall, and the Weinstein Company's BURNTstarring Bradley Cooper, Uma Thurman and Sienna Miller. His work in television has included the Joss Whedon Fox drama DOLLHOUSE and the CBS ratings juggernaut BLUE BLOODS, led by Tom Selleck.
Prior to flying solo, under the apprenticeship of composer Mychael Danna, Simonsen contributed additional music to the scores for Ang Lee's LIFE OF PI and Bennett Miller's MONEYBALL - as well as Catherine Hardwick's THE NATIVITY STORY, Sony Pictures Animation SURF'S UP, and Terry Gilliam's THE IMAGINARIUM OF DOCTOR PARNASSUS. With Danna, he co-composed the score for Marc Webb's hugely popular indie romance (500) DAYS OF SUMMER. Simonsen's compositional voice is the product of an education in jazz, electronic and traditional orchestral music. In 2013, he co-founded THE ECHO SOCIETY, a collective that provides a platform for composers to experiment and create for live performances around Los Angeles.
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Lakeshore edita "Marcella" de Lorne Balfe

Información en inglés:
Set in contemporary London and starring Anna Friel, Marcella - from internationally renowned screenwriter and novelist Hans Rosenfeldt (The Bridge) - centers on the psychological struggles of a Metropolitan police officer at a crisis point in her personal life, driven by rejection and intuition. Returning to the Met’s Murder Squad after a 12-year career break, Marcella is a detective in her late 30’s who gave up her fast-tracked role to marry and devote her life to starting a family. With the abrupt end to her marriage to the love of her life and isolated from her children at boarding school, Marcella returns to work – her sense of self shattered.
She is immediately assigned to one of her old cases that she first worked on in 2003. A spate of recent killings has occurred, all carrying the same hallmarks as those unsolved murders committed over a decade ago. Has the killer re-appeared or is this a copycat murderer? How will Marcella cope with returning to duty when her own temperament is so fragile and vulnerable? Will throwing herself into her work provide the answers she’s seeking or lead her dangerously into territory she must avoid at all costs?
Lorne Balfe [THE LEGO BATMAN MOVIE, CHURCHILL] is a Grammy Award-winning, EMMY and BAFTA nominated composer from Inverness, Scotland. He has scored in virtually all genres and in all visual media with projects ranging from major studio to independent films, tentpole video game franchises, beloved animated feature films, critically acclaimed television series, and documentary features.
Lorne Balfe recently received an Emmy-nomination for “Outstanding Main Title theme” along with Hans Zimmer for GENIUS (National Geographic), the Ron Howard produced TV series about Albert Einstein. His most current film and TV credits include CHURCHILL (Head Gear Films); THE LEGO BATMAN MOVIE (Warner Bros.); MARCELLA (Buccaneer Media); other credits include TERMINATOR GENISYS” (Paramount Pictures); 13 HOURS: THE SECRET SOLDIERS OF BENGHAZI (Paramount Pictures). He also served as score producer for DUNKIRK. His upcoming projects include the Dean Devlin sci-fi thriller GEOSTORM.
Balfe big break came when he scored his first major feature film, MEGAMIND, which he co-composed with Hans Zimmer. Within a year, he expanded his scoring talents into video games, composing alongside Jesper Kyd on ASSASSIN’S CREED: REVELATIONS, which received a BAFTA nomination for Best Original Music. His video game credits now include CRYSIS 2, four titles in the SKYLANDERS series (SPYRO’S ADVENTURE, GIANTS, SWAP FORCE, and TRAP TEAM), ASSASSIN’S CREED III, ASSASIN’S CREED III: THE TYRANNY OF KING WASHINGTON, CALL OF DUTY: MODERN WARFARE 2, and BEYOND: TWO SOULS.
Lorne Balfe continues to receive critical acclaim and accolades for his work in all visual media including the animated features HOME and PENGUINS OF MADAGASCAR, based on the beloved British TV series, THE SWEENEY, the historical epic IRONCLAD, the Gloria Trevi-biopic GLORIA, acclaimed documentaries MANNY (about the life of Manny Pacquiao), SALINGER (about JD Salinger) and THE LAST MAN ON THE MOON (Apollo astronaut Gene Cernan). His television work includes the epic mini-series THE BIBLE (co-composed with Hans Zimmer) and SONS OF LIBERTY. In 2012, Lorne Balfe earned his first EMMY nomination for the mini-series RESTLESS.
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Invada y Lakeshore editan "You were never really here" de Jonny Greenwood

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Últimas novedades en formato digital y CD

Edición de Big Machine en CD para marzo.

Edición digital de Lakeshore para marzo.

Edición digital de Milan Records.

Edición digital de Filmtrax.

Edición de Sony en CD para marzo.

 Edición en CD de Varèse para marzo.

Edición en CD de COCP para marzo.
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Lakeshore edita "Game Night" de Cliff Martínez

Información en inglés:
WaterTower Music will release the GAME NIGHT – Original Motion Picture Soundtrack digitally and on CD on February 16th. The album features original music by acclaimed musician and composer Cliff Martinez (The Foreigner, Drive).
“This score may have been the biggest musical challenge of my career,” said Martinez. “When it comes to comedy, I doubt I’m at the top of most directors’ short list. I’m the guy you call when the film’s characters are doing drugs, getting shot, stabbed, beaten or blown up –unless of course, those things are supposed to be funny.”
In this case, they certainly are. GAME NIGHT is a comedy that takes a fresh and unexpected approach, so Martinez was an inspired choice – with a composing career boasting films that are often dark, psychological stories, and longstanding relationships with Steven Soderbergh and Nicolas Winding Refn on films and TV series such as The Knick, Drive, The Neon Demon, and Solaris
Directed by John Francis Daley and Jonathan Goldstein, the action comedy GAME NIGHT, in theaters nationwide on February 23, stars Jason Bateman and Rachel McAdams as Max and Annie, whose weekly couples game night gets kicked up a notch when Max’s charismatic brother, Brooks, arranges a murder mystery party, complete with fake thugs and faux federal agents. So, when Brooks gets kidnapped, it’s all part of the game…right? But as the six uber-competitive gamers set out to solve the case and win, they begin to discover that neither this game—nor Brooks—are what they seem to be. Over the course of one chaotic night, the friends find themselves increasingly in over their heads as each twist leads to another unexpected turn. With no rules, no points, and no idea who all the players are, this could turn out to be the most fun they’ve ever had…or, it’s game over.
“The first thing that the directors said to me was, ‘Don’t try to be funny. That’s our job. Just be yourself,’” Martinez joked.
Perhaps it is because of his time in the punk scene as a drummer for bands including the Weirdos, Captain Beefheart and the Magic Band, the Red Hot Chili Peppers and The Dickies that Cliff Martinez’s approach to scoring is nontraditional.  His scores tend towards the stark and sparse, utilizing a modern tonal palette to paint the backdrop for films that are often dark, psychological stories like Pump Up the Volume (1990), The Limey (2009) Wonderland (2003), Wicker Park (2004)and Drive (2011) Martinez was nominated for a Grammy Award for Steven Soderbergh’s Traffic, a Cesar Award for Xavier Giannoli’s A L’origine, and a Broadcast Film Critics Award for Drive).  His score for The Neon Demon was awarded Best Soundtrack at the 2016 Cannes International Film Festival.
Still the drummer at heart, Martinez’s use of audio manipulations, particularly for percussive sounds, has been evolving through the years and is evident by the hammered dulcimer of Kafka (1991), the gray-areas between sound design and score for Traffic (2000), the steel drums and textures of Solaris (2002), what Martinez called “rhythmi-tizing pitched, ambient textures” of Narc (2002), and “using percussion performances to trigger and shape the rhythmic and tonal characteristics of those ambient textures,” as he described his score for 2011’s The Lincoln Lawyer.  Martinez’s longstanding relationship with director Steven Soderbergh began with 1989’s sex, lies, and videotape and has produced ten theatrical film releases, including Kafka, The Limey, Traffic, Solaris, and Contagion, and the critically acclaimed TV series The Knick.    
Martinez’s films also include Nicolas Winding Refn’s The Neon Demon and Only God Forgives, Robert Redford’s The Company You Keep, Harmony Korine’s Spring Breakers (co-composed with Skrillex), and Martin Campbell’s The Foreigner.  His upcoming projects include Too Old To Die Young – Refn’s new series for Amazon.
Cliff Martinez was inducted into the Rock & Roll Hall of Fame in April 2012 with the Red Hot Chili Peppers.  He earned the prestigious Richard Kirk Lifetime Achievement award from BMI in 2013.
WaterTower Music presents The GAME NIGHT – Original Motion Picture Soundtrack, available on February 16, 2018.
GAME NIGHT, in theaters February 23, stars Jason Bateman, Rachel McAdams, Billy Magnussen, Sharon Horgan, Lamorne Morris, Kylie Bunbury, Jesse Plemons, Danny Huston, Chelsea Peretti, with Michael D. Hall and Kyle Chandler.  Directed by John Francis Daley & Jonathan Goldstein, the film was written by Mark Perez, and produced by John Davis, Jason Bateman, John Fox, and James Garavente.  Executive producers were Toby Emmerich, Richard Brener, Michael Disco, Dave Neustadter and Marc S. Fisher. The director of photography was Barry Peterson; production designer, Michael Corenblith; editors, Jamie Gross, Gregory Plotkin and David Egan.  A New Line Cinema presentation of a Davis Entertainment/Aggregate Films Production, it is distributed by Warner Bros. Pictures, a Warner Entertainment Company.  Rated R. www.gamenight-movie.com
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Novedades digitales de Lakeshore Records

Información en inglés de ambas ediciones:
On a weekend getaway at a rundown cottage in the woods, a precautious 14 year-old teen, his crude best friend, and his best friend’s fearless older sister will have to grow up, work together, and save their hard partying parents from their predatory cabin neighbor intent on feeding them all to her “undead family.”
It’s shaping up to be a pretty good weekend for shy 14-year-old Jason. He’s driving up to a cottage in the woods with his brash (and a little crude) best friend Colin, Colin’s older sister Summer who comes complete with a permanent chip on her shoulder and pull no-punches attitude, and their father/step-mother duo of Roger and Lisa, who are permanently stuck between “inappropriate for children” or “extremely inappropriate for children” party mode.  Sure the cabin is really rustic (the cheapest Craig’s List could find), and sure Roger and Lisa aren’t the most responsible adults to chaperone a cottage getaway, but Jason is really looking forward to hanging out with his best friend (and Summer!). But things quickly take a turn when Jason, Colin and Summer spy on their neighbor’s cabin where they see a woman drugging two local ‘bros’ and then feeding them to her undead husband and kids. With a shotgun-totting psycho determined to keep them quiet, her slavering zombie family focused on eating them, and party-drunk parents who won’t believe them, it’s up to Jason, Colin and Summer to arm themselves, toughen up, learn to work together and bash in some zombie skulls before they become their freak-of-a-neighbor’s next family dinner. Goonies meets Evil Dead, “DEAD SHACK” is a dark comedy oozing with gory action.
HUMANS is a Canadian indie-electronic duo made up of musicians Robbie Slade and Peter Ricq.
Since the beginning, HUMANS have established themselves by creating sounds that successfully fuse experimental electronic elements with catchy indie-pop hooks. Focusing on performance and production styles of both the past and present, HUMANS have consistently impressed upon audiophiles with their technical and compositional skills. Using a combination of synthesizers and instruments, the sound has a certain way of being very unique, while not tied down to one specific genre.
The duo’s self-released EP Avec Mes Mecs captured the blind, wild, captivating joy of unrestrained youth, and seminal lyrics like “Who knew all we had to do was party” quickly made the EP a house party staple. The follow up EP, Traps was released with Hybridity Music. The release saw critical acclaim and college radio success, holding the #1 position for 6 weeks on the earshot electronic charts, and ranking in the top ten on BPM. Traps received a 4/5 on Resident Advisor, and the record was featured on XLR8R, Prefix, Indie Shuffle, Spinner, Interview Magazine, Rcrd Lbl, and scored the cover of Beatroute Magazine. Remixes included acclaimed producers Nautiluss and Max Ulis.
The EP lead HUMANS on a North American tour including slots at Osheaga, Shambhala, and CMJ. Recent 2016 dates included SXSW, CMW, Coachella as well as the duo’s first North American headlining tour. Producing their own art, videos & live puppets the band has incorporated a new visual live show with Tangible Interaction. Known as “The Blob” (featured in the official video for “Ennio”) it is an inflatable structure that houses LED lights and sensors.
Their debut LP, Noontide, was Juno-nominated for “Electronic Album of the Year” (2015). The LP is an evolution of HUMANS carefully constructed, innovative mix of heavy electronics and modern pop sensibilities. The album is a synthesis of time and space, and a testament to the many influences that make up the band’s core. Noontide was released February 24th 2015 via Hybridity Music, one of Canada’s leading independent electronic labels.
The Water Water EP was on March of 2016 via Mom + Pop in the US and Haven Sounds in Canada, and brought Humans new fans at press including premiere partners at The Fader, Pigeons & Planes, and Zane Lowe at Apple’s Beats1.

HUMANS is set to release the musical score of the theatrical motion picture Dead Shack early 2018 alongside with Lakeshore Records. HUMANS produced the official soundtrack and score for Peter Ricq’s film in 2017 witch premiered at Sitges, NIFFF, Fantasia, VIFF and Morbido Film Fest and more.
The Feels is HUMANS new EP set to release on Jan 26th followed by a new LP in the Spring.
Now, with support from Third Side Music (one of the biggest names in publishing), Paradigm/AM Only (agent for Disclosure, among many others), and The Feldman Agency, 2017 is set to be a banner year for the duo.
Dead Shack (Original Motion Picture Soundtrack)
01. Dead Shack
02. The Run
03. Lisa Undead
04. The Battle
05. Creepy Kids
06. Kids Gear Up
07. Hope
08. Neighbor’s Payback
09. Neighbor Gear Up
10. Take My Knife
11. The Living
12. You Lied To Me
13. Wander
14. Combat
15. It Follows
16. Going Home
Dead Shack (Music from The Original Motion Picture)
01. Do For Me (feat. Dear Rouge)
02. Here For You (feat. Phoenix Laurén)
03. Got Dumped Don't Care
04. French Riviera
05. The Split
06. The Dead
07. It Follows Again

After the sudden death of her family, firearms heiress Sarah Winchester (Helen Mirren) becomes convinced that she's haunted by the souls of those killed by guns. Winchester then decides to build an enormous mansion that's designed to keep the evil spirits at bay. When skeptical psychiatrist Eric Price (Jason Clarke) visits the estate to evaluate her state of mind, he soon discovers that her obsession may not be so far-fetched after all.
PETER SPIERIG is one half the Writing / Directing team known as THE SPIERIG BROTHERS. WINCHESTER marks the second feature film score for Peter Spierig. The brothers, Peter and Michael, are German-born Australian film directors, writers and producers who have shared prestigious nominations and awards for their collaborative work.
Their critically acclaimed sci-fi thriller PREDESTINATION, based on Robert A. Heinlein’s short story “All You Zombies”, was nominated for nine Australian Academy of Cinema and Television Arts (AACTA) Awards, including Best Director, Best Adapted Screenplay, and Best Score for Peter. The film also won four AACTA Awards including Best Actress for Sarah Snook, who stars in WINCHESTER. The Spierig Brothers won the Toronto After Dark Film Festival Special Award for Best Sci-Fi Film and Best Screenplay for Predestination, which also took a second place Audience Award for Best Feature Film. They were the recipients of the Australian Writer’s Guild John Hinde Award for Best Science Fiction Screenwriting and were nominated by the Australian Film Critics Association (AFCA) for Best Director and Best Adapted Screenplay.
Their 2003 feature debut, the low-budget zombie horror-comedy UNDEAD financed by pooling their life savings, received the Fipresci Award by the International Federation of Film Critics at the Melbourne International Film Festival. The film was screened at 17 film festivals including Edinburgh, Montreal, Toronto, Sitges, Berlin, Amsterdam and Puchon and was sold to 41 countries. It was released in the U.S. and Canada by Lionsgate Films. The company developed a close relationship with The Spierigs releasing their second film DAYBREAKERS, which opened in 2,500 theatres across the US. That 2010 vampire thriller, starring Hawke, Willem Dafoe and Sam Neill, garnered an Australian Film Institute (AFI) Visual Effects Award for the brothers, shared with Rangi Sutton, James Rogers and Randy Vellacott and, a nomination for the Macquarie AFI Award for Best Original Screenplay. WINCHESTER is The Spierig Brothers’ fourth collaboration with Lionsgate. They co-directed JIGSAW, the eighth instalment of the lucrative SAW franchise, recently released by Lionsgate. The franchise conceptualised by fellow Australian Directors James Wan and Leigh Whannel was an opportunity for the Brothers to visit the horror genre again. To date the film has grossed over 100 million dollars worldwide in its theatrical release.

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Lakeshore edita en formato digital "Annihilation" de Ben Salisbury & Geoff Barrow

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Lakeshore edita el score de Jeff Russo para la serie "Altered Carbon"

Información en inglés:
Lakeshore Records will release ALTERED CARBON - Original Netflix Series Soundtrack digitally February 9, 2018. The album features original music by Composer Jeff Russo (STAR TREK: DISCOVERY, FARGO). In addition to the original score, the album includes three songs including a cover of the Johnny Cash standard “Ain’t No Grave” performed by ALTERED CARBON star Renée Elise Goldsberry (Quellcrist Falconer) and Sune Rose Wagner’s performance of White Zombie’s “More Human Than Human”.
When asked about how he crafted the score for this unique futuristic universe, composer Russo said, “We wanted to play the emotional undercurrent of the story so we decided not to be too on the nose as far as the sci-fi aspect. In ALTERED CARBON, human bodies are interchangeable. So in this story, the idea of playing the core of a person becomes very important. I wanted to make sure to create thematic motifs that could be used to keep track of who was who in the ever-changing landscape of the story.”
Based on the classic cyberpunk noir novel by Richard K. Morgan, ALTERED CARBON is an intriguing story of murder, love, sex, and betrayal, set more than 300 years in the future. In Netflix’s ALTERED CARBON, Society has been transformed by new technology: consciousness can be digitized; human bodies are interchangeable; death is no longer permanent. Takeshi Kovacs is the lone surviving soldier in a group of elite interstellar warriors who were defeated in an uprising against the new world order. His mind was imprisoned – on ice – for centuries until Laurens Bancroft, an impossibly wealthy, long-lived man, offers Kovacs the chance to live again. In exchange, Kovacs has to solve a murder … that of Bancroft himself.
“The first scene I scored was when Kovacs is brought back to life,” Russo explained. “It seemed appropriate to first work on the scene in which our main character is reborn into the body he would occupy for the series. That also allowed me to showcase the threading of voices throughout the score that would become its cornerstone sound.”
Track Listing
01. Altered Carbon Main Titles
02. Consciousness
03. Last Stand Kovacs V1
04. Bancroft Shows Kovacs
05. Her Daughter
06. Attacked By Troopers
07. Passing The Book
08. The Patchwork Man
09. Let My Baby Ride – Sune Rose Wagner
10. More Human Than Human – Sune Rose Wagner
11. Ain’t No Grave – Renée Elise Goldsberry
From creator and executive producer Laeta Kalogridis, ALTERED CARBON stars Joel Kinnaman, James Purefoy, Martha Higareda, Renee Elise Goldsberry, Will Yun Lee and Dichen Lachman. The series is executive produced by Kalogridis, James Middleton, Steve Blackman, Nick Hurran, Mike Medavoy, Arnold Messer, Ralph Winter, David Ellison, Dana Goldberg, and Marcy Ross.
ALTERED CARBON, produced by Skydance Television, premiered February 2, 2018 on Netflix. Lakeshore Records will release the ALTERED CARBON - Original Netflix Series Soundtrack digitally on February 9, 2018.
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Lakeshore edita "The ritual" de Ben Lovett

Información en inglés:
Lakeshore Records will release THE RITUAL – Original Motion Picture Soundtrack digitally on February 9, 2018. The album features original music by composer Ben Lovett (SYNCHRONICITY, AMERICAN FOLK).
“It’s really a story about a guy losing friends, and how our relationship dynamics with them change as we get older and become different people,” said Lovett. “We open with a character suffering a moment of weakness that has disastrous consequences, and explore his struggle to reconcile the level of responsibility he may have had in the outcome. That’s what I was drawn to initially, the film within the movie.”
Reuniting after the tragic death of their friend, four college pals set out to hike through the Scandinavian wilderness. A wrong turn leads them into the mysterious forests of Norse legend, where an ancient evil exists and stalks them at every turn.
“I knew the score needed to help establish the presence of ‘something else’ out there in the woods, long before you see anything menacing onscreen we wanted to create an impression of that inevitable obstacle, a kind of malevolent awareness out there lurking around,” Lovett described.
Ben Lovett debuted at Sundance in 2007 as composer for THE SIGNAL — an Independent Spirit Award nominee and enduring cult favorite. In the decade that’s followed Lovett has created original scores for a wide range of unique films including the Duplass Brothers’ thriller BLACK ROCK; critic favorite and Gotham-Award nominee SUN DON’T SHINE from director Amy Seimetz; and the sci-fi noir SYNCHRONICITY which earned Ben a nomination at the prestigious 2016 World Soundtrack Awards. Lovett recently completed original scores for the films AMERICAN FOLK (Good Deed Entertainment), NIGHT SKY (Pop Films), and TOMMY — an ESPN “30 for 30” documentary on the late American boxing champion Tommy Morrison.
THE RITUAL reunites Lovett with director David Bruckner, whom he last collaborated with on THE SIGNAL.  “It was interesting going into a story about old friends with an old friend,” said Lovett.  The two have a 20 year history doing experimental indie films together. 
“Ben likes to say ‘I speak Bruckner.’  Which I think is one of the reasons he got the job – when he said that it really put the producers at ease. They thought maybe this guy can actually decode what Dave’s talking about,” Bruckner joked.  “One of the reasons I really love working with Ben is I trust his aesthetic.  I trust him as a storyteller.  He brings a comprehensive perspective to the table on what it is we’re trying to create.”
Lovett calls THE RITUAL his most challenging film project to date, as the composer was required to relocate to London and create the score from beginning to end with no familiar collaborators at hand.  A serendipitous turn of events brought Ben together with the esteemed London Contemporary Orchestra. “Working with the LCO was like being given the power to invent new colors, they really push the boundaries of their instruments and expanded the scope of what I could accomplish on this score,” Lovett explained.
“I wanted the tragedy that sets the film in motion to follow our characters into the forest,” Lovett continued. “The motif related to that initial incident is the only area of the score where I used synths instead of the orchestra — it was simply an effective way to separate the emotional story going on within the characters from everything happening around them in the physical environment of the woods.”
THE RITUAL, from The Imaginarium and eOne Films will be available everywhere on Netflix, excluding UK and Latin America, on February 9, 2018. Lakeshore Records will release THE RITUAL – Original Motion Picture Soundtrack digitally the same day.
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Lakeshore edita digitalmente "Abe & Phil's last poker game" de Steven Argila

Información en inglés:
When Dr. Abe Mandelbaum (Martin Landau) moves into the nursing home, Cliffside Manor, with his deteriorating wife Molly, he forms an improbable relationship with gambler and womanizer, Phil Nicoletti (Paul Sorvino). Even though at first Abe feels that moving into the home is the end of the road, he soon realizes that his life is finding a whole new beginning. Abe and Phil's friendship is challenged when a mysterious nurse claims that her biological father resides in the home. Without children of their own, both Abe and Phil jump at the chance to convince Angela, and themselves, that they are her father.
Steven’s musical life began at the age of seven when his parents brought home an electric organ.  By 10, he was winning regional and national competitions on piano and organ.  At 14, he was accepted into the pre-college division of The Juilliard School.  Steven continued his conservatory training for four years on a full scholarship to Juilliard, graduating with a Bachelor of Music degree. A professional musician since the age of 15, Steven has broad experience working in every capacity of the business, including as a composer, producer, songwriter, arranger, music director, orchestrator and performer – often simultaneously.  And his intense classical training gives him the ability to work in a wide variety of styles. Flexibility and versatility are two of Steven’s trademarks, and he particularly enjoys collaboration with directors and producers. 
Steven has composed for virtually every genre, from dramatic, comedy, and musical feature films (Basmati Blues, Mad Song, The Thing About My Folks, Dear Dumb Diary, How to Grow Your Own) to documentaries (Peggy Guggenheim: Art Addict, Alive and Kicking), mocumentaries (Memron), animation (“Monster High,” “Max Steel,” “Scooby Doo Pirates Ahoy”, “Puppy Chase”), tv dramas, (“The Get”, CBS, “There’s Johnny”, NBC, “Skyward”, Amazon), sitcoms (“The Paul Reiser Show”, NBC, “10 Items or Less,” TBS), pop records, classical recordings, and musical theater.  His talents range from creating lush dramatic scores to quirky comedy cues and everything in between.  On the forthcoming Hollywood-meets-Bollywood musical Basmati Blues, starring Brie Larson, Steven acted as composer, songwriter, and soundtrack producer.
Steven composes, records, mixes, and produces his scores at 88 Keys Music, his studio in the heart of Silver Lake on the eastside of Los Angeles. 
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Lakeshore edita los scores de Ben Lovett para "The ritual" y "American folk"

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Lakeshore edita la música de Cristóbal Tapia de Veer para "Black Mirror: Black Museum"

Información en inglés:
akeshore Records will release the BLACK MIRROR: BLACK MUSEUM – Original Soundtrack digitally on January 19, 2017. The album features original music by composer Cristobal Tapia de Veer  (UTOPIA, HUMANS, THE GIRL WITH ALL THE GIFTS).
BLACK MIRROR was one of the best things I’ve seen on TV,” said Tapia de Veer. “However I wasn’t influenced by other episodes while writing the score, because Colm’s [McCarthy, director] Black Museum was its own thing. It is very Black Mirror, but the style felt new to me, so I worked on it as if it were a stand-alone film.”
The Black Museum episode is presented as a series of three stories told by Rolo Haynes (Douglas Hodge), proprietor of the remote "Black Museum" to his solitary visitor Nish (Letitia Wright), all involving various exhibits related to cutting edge technological connections and transfers with the human brain that Rolo had developed in his career.
“The beginning, discovering the Black Museum, that was going to set the tone for the rest of the show,” explained Tapia de Veer. “The music morphed in many ways throughout the 3 stories, then goes back to where it started with the Black Museum, although with a sense of accomplishment, but also a sense of doom.”
To create the overall feel, “I tried many things,” said Tapia de Veer. “But in the end the whole palette comes from one single piece of music I gave Colm that he felt could be the theme that gives continuity, and holds the three stories together.”  In addition to creating a bit of a theme for Rolo to invoke a salesman-like drive, but with a creepy vibe, Tapia de Veer utilized girls voices which poke through the mix, “Melodic hints that accompany Nish, as well as other characters like the Monkey, somehow connecting them all as allies in this quest for revenge and/or justice.”
NETFLIX present BLACK MIRROR streaming globally where available. Lakeshore Records will release the BLACK MIRROR: BLACK MUSEUM – Original Soundtrack digitally on January 19, 2017.
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For more information contact Beth Krakower, The Krakower Group, 310.294.3600, Beth@KrakowerGroup.com, or @KrakowerGroup on Twitter
Multiple award winning Cristobal "Cristo" Tapia de Veer is a Chilean born, classically trained film and TV score composer, producer, arranger and multi-instrumentalist based in Montreal, Canada.
After obtaining his Master's degree (with honors) from the 'Conservatory of Music of Québec', he plunged into the pop music world and got signed to Warner Music in 2001, putting a hold on his classical career. His band One Ton reached number one in Canada in 2003 with the electro-dance single "Supersex World" and won the Canadian Dance Music Award (SOCAN). After a tumultuous tour the young band decided to split up.
He started working on film scores together with French-Canadian singer Jorane, for "I am Dina" (dir: Ole Bornedal), "LoveSick" (dir: Lewis Cohen, Cirque de Soleil) winner of a Gemini Award 2006, CA, for best original Music, "Kamataki" (dir: Claude Gagnon), nominated for best original music at the Prix Jutra 2007, CA, and "Un dimanche à Kigali" (dir: Robert Favreau), winner of a Prix Jutra 2007, CA, for best original music.
In 2011 he scored his first mini-TV series "The Crimson Petal and the White" (dir: Marc Munden, BBC2), nominated at the BAFTA'S 2012 for Best mini-series. 2 years later Munden and Cristo teamed up again to work on C4's critically acclaimed cult series "Utopia". The 2 x 6 episode long conspiracy thriller won an International EMMY Award 2014 for best drama series. His music for Utopia won several awards (both seasons) and became an international milestone in the scoring world.
Also In 2013, he composed the music for ICI-Radio-Canada's new TV-drama "Série Noire" (dir: JF Rivard), for which he won twice at the PRIX GEMEAUX (Academy of Canadian Cinema and Television) in 2014 and received a third trophy for the second season in 2016. Later that year, he began work on the BBC One mini-series "Jamaica Inn", directed by BAFTA award-winning Phillipa Lowthorpe.
The following year, AMC / C4's co-production "Humans" became C4's biggest drama hit in 20 years and got nominated for best drama series at the BAFTAS 2016. His first feature film "The Girl with all the Gifts" was released in fall 2016 (distr: Warner UK) and won in the best original music category at the 24th Festival International du Film Fantastique Gérardmer 2017, at the same time as C4's mini-series "National Treasure", which was hailed among critics as the most powerful series of the year. Cristo was awarded a Golden Fipa 2017 for his original score as well as a BAFTA for best original music.
BBC-America's "Dirk Gently's Holistic Detective Agency" has been released in fall 2016 and has gathered cult status amongst its fans on Netflix worldwide. Upcoming releases include 2 episodes of "Philip K. Dick's Electric Dreams" (Amazon, C4) as well as Netflix' dark sci-fi anthology series "Black Mirror". SOCAN honoured Cristo with the prestigious International Achievement Award in fall 2017.
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