Mostrando entradas con la etiqueta Lakeshore. Mostrar todas las entradas
Mostrando entradas con la etiqueta Lakeshore. Mostrar todas las entradas

Lakeshore edita el score de Mark Isham para "Duck Duck Goose (Al aire, patos)"

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Lakeshore edita digitalmente "The song of Sway Lake" de Ethan Gold

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Lakeshore edita digitalmente "Housewife" de Antoni Maiovvi

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Lakeshore edita digitalmente "Inventing tomorrow" de Laura Karpman

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Lakeshore edita en octubre "Our house" de Mark Korven

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Novedades de Varèse Sarabande & Lakeshore

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Lakeshore edita digitalmente "Destination wedding" de William Ross

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Lakeshore edita la música de Mac Quayle para la tercera temporada de "Mr. Robot"

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Lakeshore edita el score de Ian Hultquist para "A-X-L"

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Lakeshore edita el score de John Debney para el videojuego "Longshot: Homecoming"

Lakeshore Records today announced a new partnership with Electronic Arts to release the best of EA Games’ original scores and soundtracks. The premiere release in this agreement will be Oscar®-nominee John Debney’s soundtrack to LONGSHOT: HOMECOMING, the groundbreaking story mode within MADDEN NFL 19, available August 10, 2018. The soundtrack also features the original song "Finally Here" performed by country artist Ruthie Collins, which will be released as a single on July 27th.
Oscar®-nominee Debney is known for acclaimed film scores that include Sin CityThe Jungle Book, The Greatest Showman and his Academy Award® nominated The Last Temptation Of Christ. Singer/songwriter Ruthie Collins was hailed as ‘Country’s Best Traditionalist’ by Rolling Stone and named one of CMT’s ‘Next Women Of Country’, who called her “a singing, songwriting, guitar and banjo-playing, Airstream-owning, Dolly Parton-loving breath of fresh air.”
“Lakeshore Records is incredibly excited to be working with EA Games to release some of the absolute very best soundtracks by some of the very best composers working in visual media today,” said President of Lakeshore Records, Brian McNelis.  “We are staring this wonderful partnership by working with Electronic Arts to release LONGSHOT: HOMECOMING composed by legendary composer John Debney and the original single performed by Ruthie Collins.  It is an honor to be invited to work with such talented people on such great projects and we hope working with EA will continue to elevate the awareness and status of game music while providing the best possible services to the community.”
In addition to releasing new soundtracks for upcoming EA titles, Lakeshore Records will also be releasing soundtracks from the vast EA Games catalog, including first ever soundtrack releases and reissues of out-of-print recordings.  In the next few weeks, Lakeshore will be announcing releases of catalog titles including the soundtracks for top-selling EA Games franchises that include Dragon Age, Battlefield, Mass Effect, Need For Speed, Command & Conquer, Titanfall, Medal Of Honor, and The Sims.
“Lakeshore has proven themselves to be at the next level of marketing and streaming for the very best film and television music being created today,” says Electronic Arts Worldwide Executive of Music Steve Schnur.  “And because they appreciate and understand the medium and its fans like no other label, we’re proud to be their first-ever videogame partners. EA's composers, among the top talents in movies, television and games, are equally excited about the skill and fervor Lakeshore brings to the table. We’re confident that John Debney’s outstanding score for LONGSHOT HOMECOMING is the perfect kick-off to an exciting future for the art – and commerce – of videogame music.”
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Lakeshore edita en agosto digitalmente "Puppet Master: The Littlest Reich" de Fabio Frizzi

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Lakeshore edita en agosto en formato digital "Dog days" de Matt Novack y Craig Wedren

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Lakeshore edita "Our house" de Mark Korven

A machine that can bring back dead loved ones seems like a great idea…until you unleash the wrong spirits. When his parents are killed in a car accident, science wiz Ethan (Thomas Mann) must leave behind college and his girlfriend (Nicola Peltz) to care for his younger brother and sister. By day, he juggles the responsibilities of raising two kids; by night, he tinkers in the garage on an invention he hopes will change the world: a machine that can generate wireless electricity. He gets more than he bargained for, however, when the device awakens the dead souls that haunt the house. As Ethan and his siblings attempt to make contact with their parents, a horrifying realization sets in: not all the spirits in their midst may be friendly. This hair-raising science-fiction ghost story is a nightmare journey into a past that refuses to stay dead and buried.
Toronto based, multi-award winning composer Mark Korven has had his feet firmly planted in both the dramatic and documentary film and television worlds for over 20 years. He has 8 Genie Nominations, 14 Gemini Nominations, a Genie Award, a Gemini Award and recently won and a Canadian Screen Award for his score to “Omar Khadr: Guantanamo’s Child”.
Mark has worked with acclaimed directors Deep Mehta, Patricia Rozema and Vincenzo Natale and his music can be heard on networks and in theatres worldwide. In 2014 & 2015 he collaborated with director Robert Eggers on the smash cult hit THE WITCH. The film premiered at the 2015 Sundance Film Festival and went on to receive major distribution.
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Lakeshore & Invada editan en septiembre el último score de Jóhann Jóhannsson: "Mandy"

 Lakeshore Records in conjunction with Invada Records will release Jóhann Jóhannsson’s final work, his original score to the forthcoming film Mandy.  The film and soundtrack will be released seven months after his heartbreaking and untimely death in February.  Jóhannsson’s manager, Tim Husom, remembers Jóhann and how the project came about:  “My friend and client Jóhann Jóhannsson passed away on February 9, 2018. The last music he created before his death was the score to Mandy. We were working on it right up until the film was delivered to Sundance in early January, 2018.   Back in August of 2016 we received a call from Daniel Noah at SpectreVision about this crazy new horror film they were starting that starred Nicolas Cage, Andrea Riseborough, Linus Roach, and directed by Panos Cosmatos.  Jóhann had just finished his score for Denis Villeneuve’s film, Arrival, when the Mandy mood boards were sent over to us. They were unbelievably cool and scary. Our interest was hooked immediately.  Jóhann’s first email response to me about the project was ‘Seriously, his (Panos) Beyond The Black Rainbow film is a masterpiece! I love it. And the way he uses music.’ To Jóhann, the idea of working on Mandy with Panos and SpectreVision was bringing some much needed balance to his score career and a perfect next step.”
Lakeshore Records and Invada Records will release a single from the soundtrack, “Children of the New Dawn,” on July 13thdigitally with the full album Mandy—Original Motion Picture Soundtrack to follow on September 14th.  The film score was co-produced by Jóhannsson and Randall Dunn (produced Sunn O)))) and features Sunn O)))’s Stephen O’Malley on guitar.  The album was assembled posthumously in March 2018 with the help of co-producers Pepijn Caudron (Kreng) and Yair Glotman.  The film, directed by Panos Cosmatos (Beyond the Black Rainbow) and starring Nicolas Cage, will be released by RLJ Entertainment on September 14th.  The film was produced by SpectreVision, XYZ Films, and Umedia with support from Legion M.
Mandy is set in the primal wilderness of 1983 where Red Miller, a broken and haunted man hunts an unhinged religious sect who slaughtered the love of his life (IMDB).
In the liner notes Cosmatos states:  “Jóhann went above and beyond, and I suspect to the limits of his sanity, to make the music for this movie. His words and his actions made him more than a great collaborator, they made him like a brother to me. I’m sad our time together was so brief but I’m very proud of what he accomplished on Mandy and I believe he was too.”
The Jóhann Jóhannsson Foundation was created by his family and agent Kevin Korn in memory of Jóhannsson to foster and enhance appreciation, education and achievement in the areas of composition, music, and art around the world through educational outreach, a composer scholarship foundation, an annual composer gala event, and international festivals. 
About Jóhann Jóhannsson
Jóhann Jóhannsson, born in Iceland in 1969, is an award-winning composer, musician and producer. His work often blends electronics with classical orchestrations and bears the diverse influences of the Baroque, Minimalism, and drone-based and electro-acoustic music. In 2015 Jóhann won the Golden Globe and received Oscar®, BAFTA, Grammy® and Critics’ Choice nominations for his score to The Theory of Everything, James Marsh’s biographical drama based on the life of theoretical physicist Stephen Hawking. In 2016 Jóhann was again nominated for Oscar®, BAFTA and Critics’ Choice awards now for the best original score for director Denis Villeneuve’s thriller Sicario. 2016 also saw the release of Arrival, Villeneuve’s film on linguists deciphering alien signs made by extraterrestrial beings and yet again Johann was nominated to Golden Globe and BAFTA awards for his score to the film.
Jóhannsson began studying piano and trombone at the age of eleven in his native Reykjavík. He abandoned formal musical training while at high school and after studying literature and languages at university, he spent ten years writing music for and playing in indie rock bands, using guitars to compose feedback-drenched pieces and sculpt complex multi-layered soundscapes. By manipulating the resonances of acoustic instruments with digital processing, Jóhannsson created music that integrated acoustic and electronic sounds into something strikingly individual and new.
His first solo album, Englabörn, was released in 2002 on the British Touch label. Its contents reveal influences spanning everything from Erik Satie, Bernard Herrmann, Purcell and Moondog to electronic music issued by labels such as Mille Plateaux and Mego. Later works include Virðulegu Forsetar (2004), scored for brass ensemble, electronic drones and percussion, and the orchestral albums Fordlândia (2008) and IBM 1401 – A User’s Manual (2006), the latter inspired by the sounds of electromagnetic emissions from the first of IBM’s pioneering mainframe computers. In 2010 Jóhannsson collaborated with the American avant-garde filmmaker Bill Morrison on The Miners’ Hymns, a lyrical and reflective response to Britain’s lost industrial past and the heritage of the mining communities of Northeast England. The film’s accompanying score, conceived for live performance and also released as a soundtrack album, combines brass band, pipe organ and electronics. In 2015, Drone Mass, Jóhann’s piece for a string quartet, electronics and vocal ensemble was    premiered at the Met Museum in New York.
In addition to his scores for Hollywood, Jóhann has also created soundtracks for several acclaimed works of world cinema and for documentary films, including Lou Ye’s Mystery, János Szász’s The Notebook and Max Kestner’s Dreams in Copenhagen. In 2015 he completed his first short film as director, End of Summer, which charts a slow, hypnotic journey across the austere landscapes of the remote island of South Georgia and the Antarctic Peninsula, its onscreen images accompanied by a haunting soundtrack score. Johann premiered another quite ambitious directorial project at Manchester International Festival in 2017, Last and First Men, where a text based on Olaf Stapledon’s sci-fi novel and read by Tilda Swinton is juxtaposed with startling footage of futuristic monuments shot by Sturla Brandt Grövlen in in form Yugoslavia and Johannsson’s symphonic score .
As an orchestral, chamber and theatre composer, he has written works for, among others, the Winnipeg Symphony Orchestra, Bang on a Can, Theatre of Voices, Det Norske Teater and the Icelandic National Theatre.
Jóhannsson made his Deutsche Grammophon debut with the release of his first studio album in six years, Orphée, in September 2016. Orphée is inspired by a range of readings of the Orpheus myth, draws on a varied sonic palette, both acoustic and electronic, to explore the boundaries between darkness and light. It contemplates impermanence, memory and the elusive nature of beauty, ultimately celebrating art and its power of renewal.
About Panos Cosmatos
Born in Rome in the mid ’70s to a Greek movie director and a Swedish experimental artist mother, Cosmatos spent his early formative years toted all over the globe before settling in western Canada.  In 1980, the family lived for a year in Mexico, where exposure to the strange, local interpretations of American pop culture had a profound and lasting effect on his creative life.
Growing up in the isolated suburbs of Vancouver Island during the ‘80s, he obsessed over the minutiae of heavy metal, fantasy art, science fiction, and horror films, which he still does to this day. After the death of his mother in the late ‘90s, he descended into a decade-long vortex of madness and self-destruction.  He emerged having made the decision to make a movie, or die trying.  A year later, “Beyond the Black Rainbow” was born.
About SpectreVision
Founded in 2010 by partners Elijah Wood, Daniel Noah, and Josh C. Waller, SpectreVision was created to tell character-driven stories tackling emotional and human experiences that test the boundaries of the genre space. In 2015, Lisa Whalen joined the company as the fourth partner and CEO.
The SpectreVision productions of A Girl Walks Home Alone at NightCootiesOpen WindowsThe Boy, and cult hit, The Greasy Strangler, have earned them spots at the most prestigious festivals in the world, as well as numerous awards and nominations. Their most recent film, the Nicolas Cage psycho thriller Mandy, premiered at Sundance in 2018 to a 100% Rotten Tomatoes’ critics score. Following the critical acclaim from Sundance, Mandy had its European premiere in the Director’s Fortnight section of the Cannes Film Festival. SpectreVision has also released, under its SpectreVision Presents banner, the acclaimed films, Toad RoadLFO, and the enormously successful restoration and re-release of the lost animated classic, Belladonna of Sadness.
SpectreVision has expanded its focus with forays into the worlds of television, gaming, and digital media. Their mobile game, JoinDispatch, debuted in April and their VR game with Ubisoft, Transference, premieres in September. SpectreVision’s parent entity, Company X, sold the Sundance film, Bitch, to MPI in 2017 and premiered their second production, Seven Stages to Achieve Eternal Bliss By Passing Through the Gateway Chosen By the Holy Storsh, at the 2018 Tribeca Film Festival
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Lakeshore edita en formato diigtal la música de la serie "Impulse" de Deru

Lakeshore Records will digitally release the IMPULSE: SEASON 1 Original Series Soundtrack on July 20th, which will feature the show’s original score by DERU, also known as the Emmy-winning composer, Benjamin Wynn. The 10-episode Sci-Fi series, created by Doug Liman (The Bourne IdentityThe Edge of Tomorrow), is 100% certified fresh on Rotten Tomatoes and is now available for streaming on YouTube Premium.
DERU on creating the sound for IMPULSE:
 “The inspiration for the score focused around the Cristal Baschet, a French instrument that involves getting your fingers wet and rubbing glass rods that make two metal radiators vibrate and come to life. They’re hard to come by, but I happened to meet a player, Lenka Moravkova, that was in LA at the time. The first night we got together I came up with the main theme just by playing a few notes on it. The sound itself seemed to match with the vibe of the show.
In addition to recordings, the instrument worked its way into the score in subtler ways. I tapped on the radiators with drumsticks and sent synths through those impulse responses to make them sound like they were coming out of it. The Cristal Baschet became the sound of the show that I composed the other music around.
IMPULSE is the first score that I’ve written under the DERU moniker. The show allowed me to be in my element and write mostly dark ambient electronic music. Functionally, the music was able to hold the tension and grittiness of the plot without being too overt, which is some of my favorite stuff to write. The showrunner [Doug Liman] and producers were so great to work with that I knew I could trust my instincts, and being able to go for it and ‘do what I do’ was a gift.”
IMPULSE is a genre-bending action-thriller from Universal Cable Productions (UCP) that is now streaming on YouTube Premium. Hypnotic’s Doug Liman (“Bourne Identity,” “Live. Die. Repeat:  Edge of Tomorrow”) executive produced the series. Hypnotic’s David Bartis and Gene Klein, who produce UCP’s hit series “Suits,” served as executive producers. Lauren LeFranc (“Agents of S.H.I.E.L.D”) also served as an executive producer and the series showrunner. IMPULSE features a rebellious 16-year-old girl “Henry” played by Maddie Hasson (“Twisted,” “The Finder”).  Missi Pyle (“Gone Girl,” “Charlie and the Chocolate Factory”) plays “Henry’s” mother “Cleo.” Henry has always felt different from her peers and has longed to escape from her seemingly quaint small town. She soon discovers she has the extraordinary ability to teleport. #ImpulseSeries
About DERU:
Benjamin Wynn is an Emmy Award winning American composer, sound designer and music producer. 
He earned a Bachelor’s degree in Music from the California Institute of the Arts, and has released 4 albums under the name “Deru”, as well as scored television, film, and dance.  
Wynn was the co-owner and founder of a music and sound design company in Los Angeles called The Track Team along with Jeremy Zuckerman. Together they worked on numerous projects, including “Avatar: The Last Airbender" and "Legend of Korra” for Nickelodeon. They won an Emmy Award for music editing for “Kung Fu Panda: Legends of Awesomeness” in 2012, and another Emmy for the same project in 2015. 
In 2007, Wynn (as Deru) collaborated with British composer Joby Talbot on the score to Wayne McGregor’s ballet, Genus, based on Charles Darwin’s book, On the Origin of Species, commissioned by the Paris Opera Ballet. The ballet premiered at the Palais Garnier in October 2007 and was commissioned for a second round of performances in November 2009. The ambitious eight-part score combines electronics with a 10-part choir and string instruments. The score is available on Ant-Zen and Dear Oh Dear Records and was featured in the 2009 documentary, La Danse: The Paris Opera Ballet. 
In addition to his scoring work, Wynn is a founding member and Creative Director of The Echo Society, a Los Angeles based composer collective and non-profit organization that premiers new orchestral works in singular, one-night-only events. 
01. Impulse Main Titles
02. Getting the Wrong Idea
03. Confessional
04. She Just Needed to Understand
05. You Got Me
06. No One Cares as Much as You
07. The Millers Arrive
08. Memory of Killing
09. The Unthinkable
10. What it Takes
11. I Want You to Be Happy
12. Held at Gunpoint
13. The Monster is Close
14. Shifts
15. Henry Talks
16. Killing the Assistant

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Lakeshore edita a finales de agosto la segunda temporada de "Legion" (Jeff Russo)

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Lakeshore Records edita en formato digital "Black mirror: Arkangel" de Mark Isham

After nearly losing her daughter, a mother invests in a new technology that allows her to keep track of her.
Mark Isham is an electronic music innovator, jazz artist and prolific film composer.  He traverses the musical landscape with unique performances and imaginative scores. As a musician, his trumpet sound is described as cool, avant-garde, sexy, haunting – even achingly beautiful. He has performed worldwide, and collaborated with celebrated artists in multiple genres. Mark Isham’s ability to create unforgettable melodies combined with his willingness to experiment with innovative musical palettes have earned him accolades including: Grammy and Emmy awards, and Oscar and Golden Globe nominations.
Mark Isham’s collaborators include many of the most respected names in film and music – Robert Redford, Tom Cruise, Brian De Palma, Frank Darabont, John Ridley, Jodi Foster, Robert Altman, Sting, Wil.I.Am, Sydney Lumet, and Mick Jagger. Mark Isham’s signature sound is heard on albums of music icons including Bruce Springsteen, Willie Nelson, Lyle Lovett, Ziggy Marley, Joni Mitchell, The Rolling Stones, Chris Isaak, and Van Morrison.
Isham’s inimitable musical voice is evident in his memorable scores for award-winning features including the Oscar-winning Crash and A River Runs Through It, along with Golden Globe winning Bobby, and The Black Dahlia. For The Black Dahlia, Isham was awarded “Best Score” by the International Film Music Critics Association.
Originally from New York City, Mark Isham was exposed to all types of music through his parents who were musicians. The young Isham studied piano and violin, but the trumpet captured his imagination and became his signature instrument.  The Ishams moved from NYC to San Francisco, and by the age 15 Mark Isham was playing in jazz clubs, simultaneously performing with Oakland and San Francisco symphonies. He ultimately formed his own band Group 87.
It was an accidental series of events that brought Isham into the world of film music.  Already an established performer and recording artist, he began to experiment with electronic music. In 1983, Isham released his solo debut album Vapor Drawings. He circulated a demo intended for ECM Records, but fortuitously caught the attention of film director Carroll Ballard.  Ballard was searching for a new sound for a project and was impressed by Isham’s unique music and hired him to compose the score for Disney’s critically acclaimed film Never Cry Wolf.
While developing as a film composer, Mark Isham continued to prosper and gain notoriety for his work in electronic and new age. He won a Grammy for his Virgin Records release, Mark Isham and Grammy nominations for his albums Castalia and Tibet.  Although honored in the electronic and new age genres, Isham is perhaps most celebrated for his contributions to jazz. He has collaborated and performed with jazz legends including Chick Corea, Herbie Hancock and Bobby McFerrin. Mark Isham’s jazz releases have received critical-acclaim: Blue Sun was included in Downbeat’s “Top 100 Jazz Albums of the Decade;” and The London Times namedMiles Remembered: The Silent Way Project “Best Jazz Album.″
The sought-after composer continues to demonstrate his diverse musical voice in over one-hundred film and TV scores including Eight BelowThe CoolerBladeNellThe Secret Life of Bees, in addition to A River Runs Through It and Men of Honor both resulting in Grammy nominations. Other credits include Warrior, Dolphin Tale, Point Break and the Jackie Robinson biopic 42. Isham’s suite from the film 42 was premiered by the New York Philharmonic during the MLB Sandy Relief Concert in Central Park and played at Dodger stadium on “Jackie Robinson Day.” Currently, in addition to scoring his sixth season of ABC’s hit series Once Upon a Time, he also scores Oscar-winner John Ridley’s ABC’s drama American Crime. Directors constantly return to Isham on new projects.  The composer reunites with director Gavin O’Connor for the upcoming film The Accountant starring Ben Affleck and Anna Kendrick and with director Scott Hicks’ on the upcoming feature Fallen. Isham is also working with first time director, animation veteran Christopher Jenkins (The Lion King, Aladdin) on the upcoming animated film Duck Duck Goose.
Mark Isham’s collective contributions to the film music community was recognized by his peers when he was awarded the highest honor for a composer by The American Society of Composers, Authors, and Publishers (ASCAP), the prestigious Henry Mancini Career Achievement Award for musical excellence. He continues to display a boundless ability to electrify listeners with his talent for crafting evocative new musical works in varying genres and mediums.
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Lakeshore edita "Leave no trace" de Dickon Hinchliffe

Información en amazon
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