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Lakeshore edita "Our house" de Mark Korven

ABOUT OUR HOUSE
A machine that can bring back dead loved ones seems like a great idea…until you unleash the wrong spirits. When his parents are killed in a car accident, science wiz Ethan (Thomas Mann) must leave behind college and his girlfriend (Nicola Peltz) to care for his younger brother and sister. By day, he juggles the responsibilities of raising two kids; by night, he tinkers in the garage on an invention he hopes will change the world: a machine that can generate wireless electricity. He gets more than he bargained for, however, when the device awakens the dead souls that haunt the house. As Ethan and his siblings attempt to make contact with their parents, a horrifying realization sets in: not all the spirits in their midst may be friendly. This hair-raising science-fiction ghost story is a nightmare journey into a past that refuses to stay dead and buried.
ABOUT COMPOSER MARK KORVEN
Toronto based, multi-award winning composer Mark Korven has had his feet firmly planted in both the dramatic and documentary film and television worlds for over 20 years. He has 8 Genie Nominations, 14 Gemini Nominations, a Genie Award, a Gemini Award and recently won and a Canadian Screen Award for his score to “Omar Khadr: Guantanamo’s Child”.
Mark has worked with acclaimed directors Deep Mehta, Patricia Rozema and Vincenzo Natale and his music can be heard on networks and in theatres worldwide. In 2014 & 2015 he collaborated with director Robert Eggers on the smash cult hit THE WITCH. The film premiered at the 2015 Sundance Film Festival and went on to receive major distribution.
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Soundtrack Factory edita en vinilo en septiembre "Lo que el viento se llevó" de Max Steiner


Reserva en amazon.es
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Reediciones digitales de Disques Cinemusique



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Lluvia de novedades

Edición de WaterTower Music


Ediciones de Varèse Sarabande


Ediciones de Sony



Ediciones de Milan




Ediciones de Intrada


Ediciones de Gonzo

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Vacaciones

Aunque sólo sea por poco más de una semana, me tomo un respiro cantábrico para recuperar las neuronas perdidas durante el resto del año. Os deseo a todos unas felices vacaciones.
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Novedades de Moviescore Media


Información en moviescoremedia.com
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Madison Gate Records edita digitalmente "In the cloud" de John Matthias & Jay Auborn

Fragmentos en amazon.com
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Paramount Music edita "Mission Impossible: Fallout" de Lorne Balfe

Fragmentos en amazon.com
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Lakeshore & Invada editan en septiembre el último score de Jóhann Jóhannsson: "Mandy"

 Lakeshore Records in conjunction with Invada Records will release Jóhann Jóhannsson’s final work, his original score to the forthcoming film Mandy.  The film and soundtrack will be released seven months after his heartbreaking and untimely death in February.  Jóhannsson’s manager, Tim Husom, remembers Jóhann and how the project came about:  “My friend and client Jóhann Jóhannsson passed away on February 9, 2018. The last music he created before his death was the score to Mandy. We were working on it right up until the film was delivered to Sundance in early January, 2018.   Back in August of 2016 we received a call from Daniel Noah at SpectreVision about this crazy new horror film they were starting that starred Nicolas Cage, Andrea Riseborough, Linus Roach, and directed by Panos Cosmatos.  Jóhann had just finished his score for Denis Villeneuve’s film, Arrival, when the Mandy mood boards were sent over to us. They were unbelievably cool and scary. Our interest was hooked immediately.  Jóhann’s first email response to me about the project was ‘Seriously, his (Panos) Beyond The Black Rainbow film is a masterpiece! I love it. And the way he uses music.’ To Jóhann, the idea of working on Mandy with Panos and SpectreVision was bringing some much needed balance to his score career and a perfect next step.”
Lakeshore Records and Invada Records will release a single from the soundtrack, “Children of the New Dawn,” on July 13thdigitally with the full album Mandy—Original Motion Picture Soundtrack to follow on September 14th.  The film score was co-produced by Jóhannsson and Randall Dunn (produced Sunn O)))) and features Sunn O)))’s Stephen O’Malley on guitar.  The album was assembled posthumously in March 2018 with the help of co-producers Pepijn Caudron (Kreng) and Yair Glotman.  The film, directed by Panos Cosmatos (Beyond the Black Rainbow) and starring Nicolas Cage, will be released by RLJ Entertainment on September 14th.  The film was produced by SpectreVision, XYZ Films, and Umedia with support from Legion M.
Mandy is set in the primal wilderness of 1983 where Red Miller, a broken and haunted man hunts an unhinged religious sect who slaughtered the love of his life (IMDB).
In the liner notes Cosmatos states:  “Jóhann went above and beyond, and I suspect to the limits of his sanity, to make the music for this movie. His words and his actions made him more than a great collaborator, they made him like a brother to me. I’m sad our time together was so brief but I’m very proud of what he accomplished on Mandy and I believe he was too.”
The Jóhann Jóhannsson Foundation was created by his family and agent Kevin Korn in memory of Jóhannsson to foster and enhance appreciation, education and achievement in the areas of composition, music, and art around the world through educational outreach, a composer scholarship foundation, an annual composer gala event, and international festivals. 
About Jóhann Jóhannsson
Jóhann Jóhannsson, born in Iceland in 1969, is an award-winning composer, musician and producer. His work often blends electronics with classical orchestrations and bears the diverse influences of the Baroque, Minimalism, and drone-based and electro-acoustic music. In 2015 Jóhann won the Golden Globe and received Oscar®, BAFTA, Grammy® and Critics’ Choice nominations for his score to The Theory of Everything, James Marsh’s biographical drama based on the life of theoretical physicist Stephen Hawking. In 2016 Jóhann was again nominated for Oscar®, BAFTA and Critics’ Choice awards now for the best original score for director Denis Villeneuve’s thriller Sicario. 2016 also saw the release of Arrival, Villeneuve’s film on linguists deciphering alien signs made by extraterrestrial beings and yet again Johann was nominated to Golden Globe and BAFTA awards for his score to the film.
Jóhannsson began studying piano and trombone at the age of eleven in his native Reykjavík. He abandoned formal musical training while at high school and after studying literature and languages at university, he spent ten years writing music for and playing in indie rock bands, using guitars to compose feedback-drenched pieces and sculpt complex multi-layered soundscapes. By manipulating the resonances of acoustic instruments with digital processing, Jóhannsson created music that integrated acoustic and electronic sounds into something strikingly individual and new.
His first solo album, Englabörn, was released in 2002 on the British Touch label. Its contents reveal influences spanning everything from Erik Satie, Bernard Herrmann, Purcell and Moondog to electronic music issued by labels such as Mille Plateaux and Mego. Later works include Virðulegu Forsetar (2004), scored for brass ensemble, electronic drones and percussion, and the orchestral albums Fordlândia (2008) and IBM 1401 – A User’s Manual (2006), the latter inspired by the sounds of electromagnetic emissions from the first of IBM’s pioneering mainframe computers. In 2010 Jóhannsson collaborated with the American avant-garde filmmaker Bill Morrison on The Miners’ Hymns, a lyrical and reflective response to Britain’s lost industrial past and the heritage of the mining communities of Northeast England. The film’s accompanying score, conceived for live performance and also released as a soundtrack album, combines brass band, pipe organ and electronics. In 2015, Drone Mass, Jóhann’s piece for a string quartet, electronics and vocal ensemble was    premiered at the Met Museum in New York.
In addition to his scores for Hollywood, Jóhann has also created soundtracks for several acclaimed works of world cinema and for documentary films, including Lou Ye’s Mystery, János Szász’s The Notebook and Max Kestner’s Dreams in Copenhagen. In 2015 he completed his first short film as director, End of Summer, which charts a slow, hypnotic journey across the austere landscapes of the remote island of South Georgia and the Antarctic Peninsula, its onscreen images accompanied by a haunting soundtrack score. Johann premiered another quite ambitious directorial project at Manchester International Festival in 2017, Last and First Men, where a text based on Olaf Stapledon’s sci-fi novel and read by Tilda Swinton is juxtaposed with startling footage of futuristic monuments shot by Sturla Brandt Grövlen in in form Yugoslavia and Johannsson’s symphonic score .
As an orchestral, chamber and theatre composer, he has written works for, among others, the Winnipeg Symphony Orchestra, Bang on a Can, Theatre of Voices, Det Norske Teater and the Icelandic National Theatre.
Jóhannsson made his Deutsche Grammophon debut with the release of his first studio album in six years, Orphée, in September 2016. Orphée is inspired by a range of readings of the Orpheus myth, draws on a varied sonic palette, both acoustic and electronic, to explore the boundaries between darkness and light. It contemplates impermanence, memory and the elusive nature of beauty, ultimately celebrating art and its power of renewal.
About Panos Cosmatos
Born in Rome in the mid ’70s to a Greek movie director and a Swedish experimental artist mother, Cosmatos spent his early formative years toted all over the globe before settling in western Canada.  In 1980, the family lived for a year in Mexico, where exposure to the strange, local interpretations of American pop culture had a profound and lasting effect on his creative life.
Growing up in the isolated suburbs of Vancouver Island during the ‘80s, he obsessed over the minutiae of heavy metal, fantasy art, science fiction, and horror films, which he still does to this day. After the death of his mother in the late ‘90s, he descended into a decade-long vortex of madness and self-destruction.  He emerged having made the decision to make a movie, or die trying.  A year later, “Beyond the Black Rainbow” was born.
About SpectreVision
Founded in 2010 by partners Elijah Wood, Daniel Noah, and Josh C. Waller, SpectreVision was created to tell character-driven stories tackling emotional and human experiences that test the boundaries of the genre space. In 2015, Lisa Whalen joined the company as the fourth partner and CEO.
The SpectreVision productions of A Girl Walks Home Alone at NightCootiesOpen WindowsThe Boy, and cult hit, The Greasy Strangler, have earned them spots at the most prestigious festivals in the world, as well as numerous awards and nominations. Their most recent film, the Nicolas Cage psycho thriller Mandy, premiered at Sundance in 2018 to a 100% Rotten Tomatoes’ critics score. Following the critical acclaim from Sundance, Mandy had its European premiere in the Director’s Fortnight section of the Cannes Film Festival. SpectreVision has also released, under its SpectreVision Presents banner, the acclaimed films, Toad RoadLFO, and the enormously successful restoration and re-release of the lost animated classic, Belladonna of Sadness.
SpectreVision has expanded its focus with forays into the worlds of television, gaming, and digital media. Their mobile game, JoinDispatch, debuted in April and their VR game with Ubisoft, Transference, premieres in September. SpectreVision’s parent entity, Company X, sold the Sundance film, Bitch, to MPI in 2017 and premiered their second production, Seven Stages to Achieve Eternal Bliss By Passing Through the Gateway Chosen By the Holy Storsh, at the 2018 Tribeca Film Festival
For more information, contact:
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Lakeshore edita en formato diigtal la música de la serie "Impulse" de Deru

Lakeshore Records will digitally release the IMPULSE: SEASON 1 Original Series Soundtrack on July 20th, which will feature the show’s original score by DERU, also known as the Emmy-winning composer, Benjamin Wynn. The 10-episode Sci-Fi series, created by Doug Liman (The Bourne IdentityThe Edge of Tomorrow), is 100% certified fresh on Rotten Tomatoes and is now available for streaming on YouTube Premium.
 
DERU on creating the sound for IMPULSE:
 “The inspiration for the score focused around the Cristal Baschet, a French instrument that involves getting your fingers wet and rubbing glass rods that make two metal radiators vibrate and come to life. They’re hard to come by, but I happened to meet a player, Lenka Moravkova, that was in LA at the time. The first night we got together I came up with the main theme just by playing a few notes on it. The sound itself seemed to match with the vibe of the show.
 
In addition to recordings, the instrument worked its way into the score in subtler ways. I tapped on the radiators with drumsticks and sent synths through those impulse responses to make them sound like they were coming out of it. The Cristal Baschet became the sound of the show that I composed the other music around.
 
IMPULSE is the first score that I’ve written under the DERU moniker. The show allowed me to be in my element and write mostly dark ambient electronic music. Functionally, the music was able to hold the tension and grittiness of the plot without being too overt, which is some of my favorite stuff to write. The showrunner [Doug Liman] and producers were so great to work with that I knew I could trust my instincts, and being able to go for it and ‘do what I do’ was a gift.”
 
About IMPULSE:
IMPULSE is a genre-bending action-thriller from Universal Cable Productions (UCP) that is now streaming on YouTube Premium. Hypnotic’s Doug Liman (“Bourne Identity,” “Live. Die. Repeat:  Edge of Tomorrow”) executive produced the series. Hypnotic’s David Bartis and Gene Klein, who produce UCP’s hit series “Suits,” served as executive producers. Lauren LeFranc (“Agents of S.H.I.E.L.D”) also served as an executive producer and the series showrunner. IMPULSE features a rebellious 16-year-old girl “Henry” played by Maddie Hasson (“Twisted,” “The Finder”).  Missi Pyle (“Gone Girl,” “Charlie and the Chocolate Factory”) plays “Henry’s” mother “Cleo.” Henry has always felt different from her peers and has longed to escape from her seemingly quaint small town. She soon discovers she has the extraordinary ability to teleport. #ImpulseSeries
 
 
About DERU:
Benjamin Wynn is an Emmy Award winning American composer, sound designer and music producer. 
 
He earned a Bachelor’s degree in Music from the California Institute of the Arts, and has released 4 albums under the name “Deru”, as well as scored television, film, and dance.  
Wynn was the co-owner and founder of a music and sound design company in Los Angeles called The Track Team along with Jeremy Zuckerman. Together they worked on numerous projects, including “Avatar: The Last Airbender" and "Legend of Korra” for Nickelodeon. They won an Emmy Award for music editing for “Kung Fu Panda: Legends of Awesomeness” in 2012, and another Emmy for the same project in 2015. 
 
In 2007, Wynn (as Deru) collaborated with British composer Joby Talbot on the score to Wayne McGregor’s ballet, Genus, based on Charles Darwin’s book, On the Origin of Species, commissioned by the Paris Opera Ballet. The ballet premiered at the Palais Garnier in October 2007 and was commissioned for a second round of performances in November 2009. The ambitious eight-part score combines electronics with a 10-part choir and string instruments. The score is available on Ant-Zen and Dear Oh Dear Records and was featured in the 2009 documentary, La Danse: The Paris Opera Ballet. 
 
In addition to his scoring work, Wynn is a founding member and Creative Director of The Echo Society, a Los Angeles based composer collective and non-profit organization that premiers new orchestral works in singular, one-night-only events. 
 
Tracklist:
01. Impulse Main Titles
02. Getting the Wrong Idea
03. Confessional
04. She Just Needed to Understand
05. You Got Me
06. No One Cares as Much as You
07. The Millers Arrive
08. Memory of Killing
09. The Unthinkable
10. What it Takes
11. I Want You to Be Happy
12. Held at Gunpoint
13. The Monster is Close
14. Shifts
15. Henry Talks
16. Killing the Assistant

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Plaza Mayor Company edita en formato digital "I am not an easy man" de Fred Avril

Fragmentos en www.amazon.es
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Novedades en vinilo de Varèse Sarabande



Varèse Sarabande is releasing three exciting LP packages, exclusive to Barnes & Noble, on July, 13 2018: ROAD HOUSE, released for the first time in three decades, on limited “Double Deuce” Neon Vinyl, a supernatural blue/black swirl vinyl for HELLBOY, and the red vinyl edition ofPEE-WEE’S BIG ADVENTURE with a bonus second soundtrack of BACK TO SCHOOL.
 
The popularity of ROAD HOUSE, the 1989 action film starring Patrick Swayze, has remained consistent for almost 30 years. The music was a centerpiece for the film, with the house band, The Jeff Healey Band, performing new material produced by Jimmy Iovine. In ROAD HOUSEDalton (Swayze) is a true gentleman with a degree in philosophy from NYU. He also has a flip side - he's the best bar bouncer in the business. When Dalton's brought in to clean up the Double Deuce, a popular establishment that become particularly rowdy, his calm is put to the test by the town bully.  All four of The Jeff Healey Band songs are on this soundtrack along with cuts from Otis Redding, Little Feat and Bob Seger, plus two tracks performed Patrick Swayze. Many of these songs are exclusive to the soundtrack.
 
HELLBOY is based on Mike Mignola's acclaimed comic book series about a creature from Hades who joins the battle against evil, arrived on the screen in vivid form in this adaptation directed by distinctive horror filmmaker Guillermo del Toro.  The film features an exciting score by composer Marco Beltrami (LOGAN. A QUIET PLACE). A young demon is summoned from the depth of Hell to be used as the ultimate Axis weapon in the 1940’s. However, the demonic creature is captured by American forces, and put in the care of Professor Broom (John Hurt), the founder of a top-secret organization called the Bureau for Paranormal Research and Defense. Sixty years later, the demon, now known as HELLBOY (Ron Perlman), is part of an elite secret defense team alongside Liz Sherman (Selma Blair), a beautiful pyrokinetic, and Abe Sapian (Doug Jones), an aquatic humanoid with the power of telepathy.
 
PEE WEE'S BIG ADVENTURE follows Pee-wee Herman (Paul Reubens) who lives an idyllic life in his bizarre home, until someone steal his the most important thing in his world: a fire engine-red customized bicycle. Pee-wee starts a epic cross-country search to rescue his lost love. The film featured a quirky original score by Danny Elfman.  As a special bonus, this release is a two-fer, with Elfman’s score for the Rodney Dangerfield film BACK TO SCHOOL, both presented on red vinyl.

ROAD HOUSE
  1. The Jeff Healey Band - Roadhouse Blues
  2. Bob Seger - Blue Monday
  3. The Jeff Healey Band - I'm Tore Down
  4. Otis Redding - These Arms Of Mine
  5. The Jeff Healey Band - When The Night Comes Falling From The Sky
  6. Little Feat - Rad Gumbo
  7. Patrick Swayze - Raising Heaven (In Hell Tonight)
  8. Kris McKay - A Good Heart
  9. The Jeff Healey Band - Hoochie Coochie Man
  10. Patrick Swayze - Cliff's Edge
HELLBOY
  1. Oct. 7th, 1944
  2. Meet Hellboy
  3. Main Title
  4. Snow Walkers
  5. Liz Sherman
  6. Fireproof
  7. Rooftop Tango
  8. Wake Up Dead
  9. Evil Doers
  10. Kroenen's Lied
  11. Father's Funeral
  12. Alley Fight
  13. Nazis
  14. Investigating Liz
  15. Abe Sapien
  16. Mechanical Mausoleum
  17. Soul Sucker
  18. Stand By Your Man
  19. Hellboy & Liz
  20. B.P.R.D.

PEE-WEE'S BIG ADVENTURE/ BACK TO SCHOOL
PEE-WEE'S BIG ADVENTURE
1.   Overture / The Big Race
2.   Breakfast Machine
3.   Park Ride
4.   Stolen Bike
5.   Hitchhike
6.   Dinosaur Dream
7.   Simone's Theme
8.   Clown Dream
9.   Studio Chase
10. The Drive-In
11. Finale
BACK TO SCHOOL
1.  Overture
2.  "Do Not Go Gently..."
3.  The Brawl
4.  Action Medley
5.  Classroom Secretary
6.  Triple Lindy
7.  Love Suite
8.  Study Montage
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Nominaciones a los premios Emmy 2018



El 17 de septiembre, en Teatro Microsoft de Los Ángeles, tendrá lugar la edición 70ª de los Premios Emmy de la televisión. Entre los nominados en los diferentes apartados musicales se encuentran compositores de la talla de Ramin Djawadi, Kevin Kiner, Harry Gregson-Williams, Jeff & Mychael Danna, Chris Bacon y Jeff Beal.
Los afortunados, cuya lista completa podéis consultar aquí, son los siguientes:


Outstanding Music Composition for a Series (Original Dramatic Score):

Game of Thrones – The Dragon and the Wolf – Music by Ramin Djawadi
Marvel’s Jessica Jones – AKA Playland – Music by Sean Callery
Once Upon a Time – Leaving Storybrooke – Music by Mark Isham, Cindy O’Connor & Michael Simon
SEAL Team – Pattern of Life – Music by W.G. Snuffy Walden & A. Patrick Rose
Star Wars Rebels – Family Reunion – And Farewell – Music by Kevin Kiner
Westworld – Akane No Mai – Music by Ramin Djawadi

Outstanding Music Composition for a Limited Series, Movie or a Special (Original Dramatic Score):

Alias Grace – Part 1 – Music by Mychael & Jeff Danna
Philip K. Dick’s Electric Dreams – Crazy Diamond – Music by Cristobal Tapia De Veer
Godless – Homecoming – Music by Carlos Rafael Rivera
March of the Penguins 2: The Next Step –  Music by Cyril Aufort
Philip K. Dick’s Electric Dreams – The Commuter – Music by Harry Gregson-Williams
Black Mirror – USS Callister – Music by Daniel Pemberton


Original Main Title Theme Music:

Godless – Theme by Carlos Rafael Rivera
Marvel’s The Defenders – Theme by John Paesano
Somebody Feed Phil – Theme by Mike S. Olson, Bridget Ellen Kearney, Michael Calabrese & Rachael Price
The Last Tycoon – Theme by Mychael Danna
The Putin Interviews– Theme by Jeff Beal
The Tick – Theme by Chris Bacon


Original Music and Lyrics:

A Christmas Story Live! – Song Title; In the Market for a Miracle – Music & Lyrics by Benj Pasek & Justin Paul
Big Mouth – Am I Gay? / Song Title: Totally Gay –  Music & Lyrics by Mark Rivers
If You’re Not In The Obit, Eat Breakfast – Song Title: Just Getting Started – Music by Dave Grusin, Lyrics by Marilyn Bergman & Alan Bergman
Saturday Night Live – Host: Chance The Rapper / Song Title: Come Back Barack – Music by Eli Brueggemann
Steve Martin & Martin Short: An Evening You Will Forget For The Rest Of  – Song Title: The Buddy Song – Music & Lyrics by Steve Martin
The Good Fight – Day 450 / Song Title: High Crimes And Misdemeanors – Music & Lyrics by Jonathan Coulton


Oustanding Music Direction: 

Bruno Mars: 24K Magic Live At The Apollo – Bruno Mars
Elton John: I’m Still Standing – A Grammy Salute – Davey Johnstone
Super Bowl LII Halftime Show Starring Justin Timberlake – Adam Wayne Blackstone
The Oscars – Harold Wheeler
Tony Bennett: The Library Of Congress Gershwin Prize For Popular Song – Gregg Field


Outstanding Music Supervision:

Atlanta – Alligator Man – Jen Malone & Fam Udeorji
Stranger Things – Trick Or Treat, Freak – Nora Felder
The Marvelous Mrs. Maisel – Pilot – Robin Urdang, Amy Sherman-Palladino & Daniel Palladino
This Is Us – That’ll Be The Day – Jennifer Pyken
Westworld – Akane No Mai – Sean O’Meara


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Podcast Especial Morricone enamorado

Más de 500 bandas sonoras entre cine y televisión. Seis décadas de scores de los que no pocos forman parte de lo más importante del séptimo arte. En este nuevo programa dedicado al genio italiano Ennio Morricone, le rindo homenaje a través de algunos de sus temas más emotivos.
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Moviescore edita en formato digital "Dogged" de James Griffiths

Información en moviescoremedia.com
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Mondo Records edita en vinilo "A quiet place" de Marco Beltrami & "Big Trouble in Little China " de John Carpenter

Información en mondotees.com
Información en pitchfork.com
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La-La Land edita "Friday The 13th: Parts 4 & 5" de Harry Manfredini


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Podcast Especial Loewe & Lerner

Dos de los más importantes autores de musicales de Broadway y Hollywood: el letrista Alan Jay Lerner (derecha en la imagen) y el músico Frederick Loewe. Sus más importantes obras se hicieron populares gracias a la repercusión cinematográfica, siendo producciones, salvo la última, que tuvieron un notable éxito de público. Brigadoon, Gigi, My fair lady, Camelot, La leyenda de la ciudad sin nombre y El principito son ya historia viva del séptimo arte.


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Edición digital del score de Peter Raeburn para "Nancy"

Fragmentos en amazon.com
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Music Box edita la obra maestra de Philippe Sarde "El oso"


Información en musicbox-records.com

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Hollywood Records edita digitalmente la música de Mark Isham para "Cloak Dagger"

Fragmentos en amazon.com
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Plaza Mayor Company edita en formato digital "Inheritance" de Rafaël Leloup

Fragmentos en amazon.com
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The World of Hans Zimmer: Concierto el 7 de abril de 2019 en Madrid

Tras su concierto triunfal en el Teatro Real, el espectáculo The World of Hans Zimmer: A Symphonic Celebration repite su aventura en Madrid en el WiZink Center madrileño el domingo 7 de abril. En el concierto celebrado esta semana estuvo presente el propio Zimmer, no como director de la orquesta sino como intérprete en alguno de los temas, aunque, en un principio, la organización no aseguró su presencia. Por desgracia, aún se desconoce si el compositor alemán volverá a estar presente en Madrid.
Más información en wizinkcenter.es


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Edición digital de la primera temporada de "Calls" (Norman Cooper)

Fragmentos en amazon.com
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BMG edita digitalmente la música de Carlos Rafael Rivera para la serie "Godless"

Fragmentos en amazon.com
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Rosetta Records edita "La colonna infame" de Giorgio Gaslini


Información en rosettasoundtrack.com
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